Ker Pryor Way Fh aay 3a er . 4 ee i 
ith Wenig ce eae PrPe in A GO hh 


vi PRESSIONS OF NOTABLE ETCHINGS 


BONE, CAMERON, McBEY, WHIST 


STLER, ZORN, BUHOT 
“HADEN, “JACQUE, LEGROS, LEP ERE, MIELATZ 
eS REMBRANDT, PENNELL AND OTHER MASTERS 


OF NEW YORK CITY 
“AND FROM OTHER SOURCES, INCLUDING 


“UNDER THE MANAGEMENT OF. e as fp A 


; AMERICAN ART “ASSOCIATION 
(THE MADISON AVENUE. BLOCK _ y 
{BOTH TO 57TH STRERTS HH 


aa 


ENTRANCE 3 EAST S7TH STREET 


% NEW YORK CITY | ty if 


contrite 


q 
$ 
; 
= 
3 
3 
3 
§ 
3 


barn 


DAVID YOUNG CAMERON 
Ben LeEpI 
[No. 104] 


ILLUSTRATED CATALOGUE OF ‘ 


SUPERB IMPRESSIONS OF NOTABLE ETCHINGS | 6°. 
BY MODERN MASTERS OF THE NEEDLE ON \ ae 
WITH EXAMPLES BY SOME OF THE OLD MASTERS Vick wt! \ 
FROM THE NOTABLE COLLECTIONS OF 
MR. JAMES C. McGUIRE AND MR. JOHN REID 
OF NEW YORK CITY 


AND FROM OTHER SOURCES, INCLUDING 
THE ESTATE OF THE LATE 
HUGH L. BOND OF BALTIMORE, MD. 


TO BE SOLD WITHOUT RESERVE OR RESTRICTION . 
BY ORDER OF OWNERS AND OTHERS HEREINAFTER DESIGNATED 
ON WEDNESDAY AND THURSDAY EVENINGS 
NOVEMBER I5TH AND 16TH, 1922 
AT: 671.5.0 CLOCK 


THE SALE TO BE CONDUCTED BY 
LURUaSF 
MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF Dy 


THE AMERICAN ART ASSOCIATION, Manace_rs 
NEW YORK CITY 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


STATEMENT OF OWNERSHIP 


The Superb Collection of Etchings to be sold by order of THE EXECUTRIX 
Peete tate OF THE LATE HUGH L. BOND, OF BALTIMORE, 
MD., is herein catalogued under items, Numbers,—2, 3, 4, 5, 6, 7, 8, 9, II, 
12, 46, 47, 48, 50, 51, 52, 53, 54, 63, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74; 75, 79, 77; 
78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 
See o2, 103, 104, 105, 106, 107, 108, 110, 111, 112, 113, 114, 115, 116, 117, 
Deeeneomt 20124, 120, 127, 128, 120, 130, 131, 132, 133, 134, 135, 136, 137, 138, 
139, 140, 144, 156, 157, 158, 159, 160, 173, 174, 175, 176, 177, 178, 180, 181, 182, 
183, 184, 186, 187, 188, 189, 190, I9I, 192, 193, 194, 195, 196, 197, 198, 201, 207, 
eae ttl 7, 215, 220; 220, 231, 233, 235, 237; 239, 241, 242, 244, 245, 240, 
ee 55592 50,7257, 250, 200, 201, 263, 266, 268, 269, 270, 271, 272, 274, 275, 
Beem o lt. 202,263, 250, 288, 289, 291, 204, 295, 208, 300, 304, 307, 308, 311, 
321, 322, 325, 326, 327, 328, 329, 333, 334, 335, 336, 337; 339, 340, 341, 342, 347, 
348, 349, 350, 351, 352, 353, 354, 355, 356, 357, 358, 359, 360, 361, 362, 363, 364, 
365, 366, 367, 368, 369, 370, 371, 372, 387, 388, 391, 394, 395, 396, 403, 404, 407, 
409, 412, 414, 418, 422, 423, 424, 425, 472, 474, 475 and 476. 

A Notable Collection of Etchings from the Portfolio of MR. JOHN REID of 
New York City, sold by his order, is herein catalogued under items, Numbers,— 
Pee ro, 17, 15, 19,20, 21, 22, 23, 24, 25, 26, 27, 29, 30, 31, 32; 33, 34, 
35, 36, 37; 38, 39, 40, 41, 42, 43, 44, 45, 49, 109, 125, 164, 165, 166, 167, 168, 169, 
eet 1 70, 155,199, 200, 202, 203, 204, 205, 206, 208, 210, 212, 213, 215, 
eee 21222, 223, 224, 225, 220, 232, 234, 236, 238; 240, 243, 246, 247, 
248, 251, 252, 253, 259, 262, 264, 265, 267, 273, 277, 278, 279, 284, 285, 287, 290, 
292, 293, 296, 297, 299, 301, 302, 303, 305, 306, 309, 310, 313, 338, 343, 344, 345, 
346 and 373. 7 

An Important Collection of Zorn Etchings, together with a number of Fine 
Whistler Lithographs from the Portfolio of MR. JAMES C. McGUIRE of New 
York City, sold by his order, is herein catalogued under items, Numbers,—28, 
377, 389; 390, 392, 397, 398, 402, 406, 408, 411, 413, 415, 417, 419, 420, 421, 426, 
427, 428, 429, 430, 431, 432, 433, 434, 435, 436, 437, 438, 439, 440, 441, 442, 443, 
444, 445, 446, 447, 448, 449, 450, 451, 452, 453, 454, 455, 456, 458, 459, 461, 462, 
464, 465, 466, 467, 469 and 47¢. 

A Collection of Etchings FROM THE ESTATE OF THE LATE FREDERICK 
T. HOWARD of New York City, sold by order of Richard B. Aldcroft, Attorney, 
New York City, is herein catalogued under items, Numbers,—146, 374, 376, 379, 
381, 383, 471 and 473. 

A Collection of Etchings sold by order of a NEW YORK GENTLEMAN, act- 
ing in the Interest of a third party, is herein catalogued under items, Numbers,— 
56, 57, 58, 59, 60, 64, 141, 145, 150, 375, 378, 380, 382, 385, 386, 393, 399, 400, 
401, 405, 410, 416, 457, 460 and 468. 

Noiable Etchings from the Portfolio of a NEW YORK GENTLEMAN, sold 
by his order, are herein catalogued under items, Numbers,—119, 121, 123, 161, 
162, 163, 312, 314, 315, 316, 317, 318, 319, 320, 323, 330, 331 and 332. 

A Consignment of Important Etchings, the Property of an ENGLISH GENTLE- 
MAN, sold by his order, is herein catalogued under items, Numbers,—61, 142, 
143, 147, 148, 151, 152, 153, 154, 155, 227, 228 and 384. 

A Collection of Etchings sold by order of MR. RICHARD ELY, Attorney of 
New York City, is herein catalogued under items. Numbers,—55, 62, 149, 324 
and 463. 


Conditions of Sale 


1. Rejection of Bids. Any bid which is not commensurate with the value of the article 
offered or which is merely a nominal or fractional advance may be rejected by the auctioneer 
if in his judgment such bid would be likely to affect the sale injuriously. 


2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or © 
more bidders, the auctioneer shall either decide the same or put up for resale the lot soin dispute. 


3. Identification and Part Payment by Buyer. The name of the buyer of each lot 
shall be given immediately on the sale thereof and, when so required, each buyer shall sign a 
card giving the lot number, amount for which sold, and his or her name and address. 
Payment at the actual time of the sale shall be made of all or such part of the purchase 
prices as may be required. 
If the two foregoing conditions are not complied with, the lot or lots so purchased may at 
the option of the auctioneer be put up again and resold. 


4. Risk after Purchase. Title passes upon the fall of the auctioneer’s hammer and 
thereafter neither the consignor nor the Association is responsible for the loss or any damage 
to any article occasioned by theft, fire, breakage or any cause. 


5. Delivery of Purchases. Delivery of any purchases will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made at the place of sale or at the Storage warehouse to which purchases 
may have been removed. 

Deliveries at the American Art Galleries will be made only between the hours of nine a. m. 
and one p. m. on sales’ days and on other days—except holidays, when no deliveries will be. 
made—between the hours of nine a. m. and five p. m. 

Deliveries at places of sale other than the American Art Galleries will be made only during 
the forenoon following the day of sale unless by special notice or arrangement to the centrary. 

Deliveries at the Storage warehouse to which goods may have been sent will be made on any 
day other than holidays between the hours of nine and five. 

Deliveries of any purchases of small articles likely to be lost or mislaid may be made at the 
discretion of the auctioneer during the session of the sale at which they were sold. 


6. Storage in Default of Prompt Payment and Calling for Goods. Articles not 
paid for in full and either not called for by the purchaser or delivered upon his or her order by 
noon of the day following that of the sale will be turned over by the Association to some carter 
to be carried to and stored in some warehouse until the time of the delivery therefrom to the 
purchaser, and the cost of such cartage and storage will be charged against the purchaser and 
the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. 
Norte: The limited space of the Delivery Rooms of the Association makes the above require- 
ments necessary, and it is not alone for the benefit of the Association, but also for that of its pa- 
trons, whose goods otherwise would have to be so crowded as to be subject to damage and loss . 


7. Shipping. Boxing or wrapping of purchases is a business in which the Association is in 
no wise engaged, and will not be performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing at current and reasonable 
rates carriers and packers; doing so, however, without any assumption of responsibility on its 
part for the acts and charges of the parties engaged for such service. 


8. Guaranty. The Association exercises great care to catalogue every lot correctly and 
endeavours therein and also at the actual time of sale to point out any error, defect or imperfec- 
tion, but guaranty is not made either by the owner or the Association of the correctness of 
the description, genuineness, authenticity or condition of any lot and no sale will be set aside 
on account of any incorrectness, error of cataloguing or imperfection not noted or pointed 
out. Every lot is sold “as is” and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and the Association will — 
give consideration to the opinion of any trustworthy expert to the effect that any lot has been 
incorrectly catalogued and in its judgment may thereafter sell the lot as catalogued or make 
mention of the opinion of such expert, who thereby will become responsible for such damage 
as might result were his opinion without foundation. 


9. Buying on Order. Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone will be faithfully attended to without 
charge or commission. Any purchases so made will be subject to the foregoing conditions of 
sale except that in the event of purchases consisting of one or more books for one who has not 
himself or through his agent been personally at the exhibition or sale, any book may be re- 
turned within ten days of the date of sale and the purchaser will be refunded the purchase 
money therefor, if the book in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and given with such plainness as 
to leave no room for misunderstanding. Not only should the lot number be given, but also the 
title, and bids should be stated to be so much for the lot, and when the lot consists of one or 
more volumes of books or objects of art, the bid per volume or piece should be also stated. If 
the one transmitting the order is unknown to the Association, a deposit should be sent or 
reference submitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale or any session thereof will be furnished by the 
Association at charges commensurate with the duties involved in copying the necessary 
information from the records of the Association. 


AMERICAN ART ASSOCIATION 
American Art Galleries 
The Madison Avenue Block 
56th to 57th Streets 
Entrance 30 East 57th Street 
New York City 


At THE AMERICAN ART GALLERIES 


THE MADISON AVENUE BLOCK 
56TH TO 57TH STREETS 


ENTRANCE, 30 EAST §7TH STREET, NEW YORK CITY 


UNRESTRICTED PUBLIC SALE OF 
SUPERB IMPRESSIONS OF NOTABLE ETCHINGS 
McGUIRE—BOND—REID AND OTHER COLLECTIONS 


First Session, Numbers 1 to 228, inclusive 
WEDNESDAY EVENING, NOVEMBER 15TH, AT 8:15 O’CLOCK 


C. H. BASKETT 


Contemporary English Etcher. 


BaokB TTC. H. | 
1. A Licut BREEZE IN THE LOWER Hope. Aquatint. 
S Signed in pencil,—C. A. Baskett del. et imp. FINE IMPRESSION, in perfect 


44- De condition. 
Height, 1078; width, 73 inches. . 


MARIUS A. J. BAUER 


Contemporary Dutch artist. Born at The Hague, in the year 1867. 


BAUER, MARIUS A. J. 
2. AMIENS CATHEDRAL. LFiching. 
Sf Signed ‘n pencil—MB. FINE IMpREssION, on Japan paper, in perfect 
} ue \ condition. Proof, marked No. 78. 
Height, 1724; width, 1434 inches. Framed. 


BAUER, MARIUS A. J. 
3. BENARES. Liéching. 
Signed in pencil,—M. Bauer. FINE IMPRESSION, on Japan paper, in per- 
” - fect condition. | 
f ) ' Height, 2134; length, 2634 inches. Framed. 


Mec GuirrRe-BonNnnd-REID COLL coe 


First Session, Wednesday Evening, November 15th 


BAUER, MARIUS A. J. 
4. ENTRANCE TO THE TEMPLE. Etching 
wae Signed in pencil,— VM. Bauer. VERY FINE IMPRESSION, on Japan paper, 
PPh. in perfect condition. Proof, marked No. 32. 
fei Height, 221%; length, 2714 inches. Framed. 


BAUER, MARIUS A. J. 
5. HypErABAD. Liching. 
pee Signed in pencil_—M. Bauer. FINE IMPRESSION, on Japan paper, in per- 
NE fect condition. Proof, marked No. 78, 
Height, 2234; length, 27% inches. Framed. 


BAUER, MARIUS A. J. 


if 6. THE SACRED CAMEL, Etching. 
(, 0. Signed in pencil,—M. Bauer. VERY FINE IMPRESSION, on Japan paper, 
in perfect condition. Proof, marked No. 28. 
Height, 2234; length, 27% inches. Framed. 


CORNELIS BEGA 


Dutch Engraver, 1620-1664. 


BEGA, CORNELIS 
7. MOTHER AT THE INN; Mother Nursing her Child; La Femme Portant un 
Panier; The Three Drinkers, two impressions: L’Assemblée prés de la 
a Cheminée. Etchings. All good impressions, in good condition. 
/ 0. Various sizes, about 434 by 6 inches and smaller. , 
Together, 6 pieces. 


HANS SEBALD BEHAM 


Born in Niirnberg in 1500; died in Frankfort in 1550. 


BEHAM, HANS SEBALD 


8. THE PRODIGAL SON. Engraving. . 
mA Bartsch, No. 35. Signed in the plate with the monogram, os PIS Ee Beis 


)S: Good i impression, in perfect condition. 
\A Height, 27%; length, 4% inches. 


BEHAM, HANS SEBALD 
g. COMBAT OF HERCULES. Engraving. 
Pg Bartsch, No. 96. Signed 1 in the plate with the monogram,—HSB., 1542. 


) : Good i impression, in perfect condition. 
A Height, 2; length, 32% inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


EUGENE BEJOT 


Contemporary French Etcher. ° 


BEJOT, EUGENE 


10. L’ILE DE LA Cirk et LE Pont NEvr, Paris. Etching. 
Signed in pencil,—F. Béjot. BEAUTIFUL IMPRESSION, on Dutch paper, in 
perfect condition. 


[0 Height, 734; length, 1234 inches. 


FRANK W. BENSON 


Contemporary American painter-etcher. Born in Salem, Mass., March 24, 1862. 


BENSON, FRANK W. 
11. BLUE HERON. LEiching. 


Paff, No. 39. Published State. Signed in pencil,—Frank W. Benson. 
Good impression, in perfect condition. There were 50 impressions in 


y) a} we | this state. 


Height, 6; width, 4 inches. 


BENSON, FRANK W. 
12. THE LONE Goose. Ltching. 


<7 Paff, No. 12. Published State. Signed in penci!,—Frank W. Benson. 
2s Good impression, in perfect condition. There were 50 impressions in 
this siate. 


Height, 4; length, 6 inches. 


BENSON, FRANK W. 
THE ALARM. Etching. 


Paff, No. 111. Published State. Signed in pencil,—Frank W. Benson. 
U VERY FINE IMPRESSION, in perfect condition. There were So impressions 
ps in this state. 
' Height, 774; length, 97% inches. 


BENSON, FRANK W. 
14. Witp GEESE. Etching. 


4 Paff, No. 112. Published State. Signed in pencil,—Frank W. Benson. 
4 f : FINE IMPRESSION, in perfect condition. There were 72 impressions in 
thas state. 


Height, 634; !ength, 1034 inches. 


BENSON, FRANK W. 


15. REDHEADS. Drypoznt. 
vi Paff, No. 127. First of three published states. Signed in pencil,— 
Frank W. Benson. FINE IMPRESSION, in perfect condition. There were 
0 ’ 27 wmpressions in this state. 
Height, 578; length, 77% inches. 
nw : 
a 


: 


MeGutrREe-Bonnd-REID ConhMpyrot 


First Session, Wednesday Evening, November 15th 


E. BLAMPIED 


Contemporary English etcher. 


BLAMPIED, E. 
4 / 16. Fires. Drypowit. 


Signed in pencil,—E. Blampied. FINE IMPRESSION, in perfect condition. 
Height, 5; length, 678 inches: 


BLAMPIED, E. 


40 17. FORDING THE STREAM. - Drypoint. 
2 y / Signed in pencil,—E. Blampied. FINE IMpREsSION, in perfect condition. 


be bel Height, 478; length, 8 inches. 
~“f 


BUAM BLE ab. 


/ 18. GATHERING TuRNIPS. Drypoint. 
ON 3 Signed in pencil,—E. Blampied. FINE IMPREssION, in perfect condition. 
mM Height, 5; length, 7 inches. 


BLAMPIED, E. 
/ 19. THE STRANGER. Drypoint. 


Signed in pencil,—E. Blampied. FINE IMPRESSION, in perfect condition. 
Kt : Height, 978; length, 1276 inches. 


MUIRHEAD BONE 


Contemporary Scotch etcher, born in 1876, near Glasgow; living in London. 


He has achieved renown by subtle drypoints and masterful drawings. ‘One of 
the most artistic of all the British etchers, a consummate master of the drypoint 


medium.’’—Herman Struck. 


BONE, MUIRHEAD 


20. DUKE oF Gorpon’s House, Leiru. LEfching. 
VK 7 hes Campbell. Dodgson, No. 2. Second State of two. Signed in pencil,— 
P Muirhead Bone. VERY FINE IMPRESSION, on French paper, in perfect 
Rv, condition. There were only 2 impressions in this state. 
A” Height, 29/16; length, 37% inches. 


-_ 
. 


BONE, MUIRHEAD 


21. ALTERATIONS IN THE BRIGGATE, GLASGOW. Efching and Drypoitnt. 
Campbell Dodgson, No. 40. Only State. Signed in penci ,—Muirhead 
Ge Bone. VERY FINE IMPRESSION, on Japan paper, in perfect condition. 
| )0) zy, '’¢-There were 9 impressions in all, this is one of the 3 printed on Japanese 
EOF rah paper in 1907. The plate was etched in 1899. . 
A/V Height, 314; length, 10% inches. - 


From the Artist’s Private Collection. 


[Lo ON] 
YAMOT, LOHS AHI, ’ 


ANOd GVAHUIAW 


McGuirre-Bond-REID Cope oe 


First Session, Wednesday Evening, November 15th 


BONE, MUIRHEAD 
22. THE OLD JAIL. GLascow. Etching and Drypoint. 
Campbell Dodgson, No. 44. Fifth State of five published states. Signed 
: _. _¥ in pencil,—Muirhead Bone, 1599. VERY FINE IMPRESSION, on Dutch 
/ 10 ’ UA paper, in perfect condition. 
[" /_gf* Height, 5; length, 10 3/16 inches. 
: BONE, MUIRHEAD 
y 23. THE GorBALS, GLAsGow. Drypoint. | 
Campbell Dodgson, No. 45. First State of two. Signed in pencil,—Muwir- 


0) 0 ‘ |» head Bone, 1899. “BEAUTIFUL IMPREssION, on Dutch paper, in perfect 
G/ \\y condition. 
Rae fy’ —, Height, 558; length, 61% inches. 
\v ab (€ From the Artist’s_ Private,Collection. 


BONE, MUIRHEAD 
724. TONTINE GATES. Etching and Drypovnt. 


(eo Campbell Dedgson, No. 46. Third State of ffirese Signed in pencil,— 
/ Muirhead Bone. VERY FINE IMPRESSION, on Dutch paper, in perfect 
condition. | 


Height, 638; width, 458 inches. 


BONE, MUIRHEAD 


25. THE East BREAST, GREENOCK. Etching and Drypoint. 
Campbell Dodgson, No. 76. Only State. Signed in pencil,—The East 


, 

< Breast, Greenock—MB,. to JB.—12th, June 1900. VERY FINE Im- 

/ 74 . PRESSION, on Dutch paper, in perfect condition. There were about 30 
impressions. 


Height, 658; length, 8% inches. 


BONE, MUIRHEAD 
26. OLD GLascow Entry. Etching. 
Des Campbell Dodgson, No. 120. Only State. Signed in pencil,—Muirhead 
ES, Bone. VERY FINE IMPRESSION, on Japan paper, in perfect condition. 
Height, 778; width, 3 inches. 


This subject has also been called Court of Trongate, Glasgow. 


BONE, MUIRHEAD 
27. THE SHoT TowErR. Drypoint. 
Campbell Dodgson, No. 160. Fifth State of five published states. Signed 
eet in pencil,—Muirhead Bone. SUPERB IMPRESSION, on Japan paper, in 
}O ’ perfect condition. 
Height, ae length, 9 inches. ; 


[See Illustration] 


BONE, MUIRHEAD 


28. Mrs. DRUMMOND. Drypoint. 
Campbell Dodgson, No. 178. Signed in pencil, —Muirhead Bone. VERY 
‘4 FINE IMPRESSION, on Japan paper, in perfect condition. 
Height, 514; width, 30K inches. 


[66 ON] 
NOSItg UAV 


ANOd GVAHYIIN  . 


MeGutrRE-Bonnd-REID COLDeoto 


First Session, Wednesday Evening, November 15th 


BONE, MUIRHEAD 


29. Ayr Prison. Drypoint. 
Campbell Dodgson, No. 179. Only State. Signed in pencil,—Muirhead 
oe Bone. SUPERB IMPRESSION, on Japan paper, in perfect condition. There 
Ke were 4I wmpressions. 
Y hs \ Height, 5; length, 7 inches. 
[See Illustration] 


“The hills are in Arran, seen across the Firth ot Clyde, but topographical details 
count for little when the subject is romantically treated as here.’’-—J. L. CAw, in 
“Scottish Painting,’ 1908, p. 460. 


BONE, MUIRHEAD 


4 30. THE YORKSHIRE SMITHY. Drypozni. 

f : Campbell Dodgson, No. 180. Second State of two. Signed in pencil,— 
94 Muirhead Bone. SUPERB IMPRESSION, on Japan paper, in perfect con- 
y, dition. There were 10 impressions printed in this state, 20 in all, 

0 Height, 4%; length, 914 inches. . 


BONE, MUIRHEAD 


31. THE Masts, LINCOLN. Drypoint. . 
. Campbell Dodgson, No. 183. First State of two. Signed in pencil,—Mwir- 
0 x head Bone. VERY FINE IMPRESSION, on O. W. P. paper, in perfect 
2 Y - condition. There were about 10 impressions in this state. 
Height, 934; width, 77% inches. . 


BONE, MUIRHEAD 


32. Hove. Drypoint. 
Campbell Dodgson, No. 197. Only Published State. Signed in pencil,— 


vA Muirhead Bone. SUPERB IMPRESSION, on Japan paper, in perfect con- 
a) pa dition. . | 
= Ay K Height, 6; length, 978 inches. ~ é 


BONE, MUIRHEAD 


33. RYE, FROM CAMBER. Drypoint. 
Campbell Dodgson, No. 205. Second State of two published states. Signed 
in pencil,—Muirhead Bone. SUPERB IMPRESSION, on Japan paper, in 
a 2 f\ / perfect condition. There were 13 impressions in thts state. 
Height, 6; length, 8 inches. 


BONE, MUIRHEAD 


4. STUDY FOR LIBERTY’s CLock. Drypoint. 
Le ID» Campbell Dodgson, No. 206. Fifth State of five. Signed in. pencil,— 
Muirhead Bone. SUPERB IMPRESSION, on Japan paper, in perfect con- 
dition. There were 10 wmpressions in all 5 states. 
Height, 834; width, 414 inches. 


MUIRHEAD BONE | 
DEMOLITION oF St. JAMES’S HALy 
[No. 35] 


MeGuitire-Bonnd-REtdD CoLiane. 


First Session, Wednesday Evening, November 15th 


BONE, MUIRHEAD 
A5. DEMOLITION OF St. JAMES’s HALL, ExTERIoR. Drypoint. 


Zz Campbell Dodgson, No. 207. First State of four published states. Signed 
0 ; in pencil, —Muirhead Bone. SUPERB IMPRESSION, on Japan paper, in 
4 perfect condition. There were 27 impressions in this state. 
Height, 1158; width, 11 inches. 


[See Hlustration] 


BONE,, MUIRHEAD 
36. AAHE BALLANTRAE Roap. Drypoint. 
ps Campbell Dodgson, No. 212. Fifteenth State of fifteen. Signed in pencil,— 
Muirhead Bone. SUPERB IMPRESSION, on Japan paper, in perfect con- 
“ ne dition. There were 67 impressions in all fifteen published states and 4 
Uy trial proofs. 
Height, 47%; length, 778 inches. 


“In the last, and finest state, the artist has achieved the harmonious effect at 
which he was aiming through a long series of experiments.’’-—CAMPBELL DODGSON. 


BONE, MUIRHEAD 
37. AN ARCHWAY, CHIOGGIO. Drypoint. 

o Not in Campbell Dodgson. Signed in pencil,—Muirhead Bone. SUPERB 
LS / IMPRESSION, on French paper, in perfect condition. There were 75 1m- 
ate pressions printed. 

Height, 61; length, 734 inches. ° 


BONE, MUIRHEAD 
y 38. Ayr BEacu. Drypoint. 
, 70 . Not in Campbell Dodgson. Signed in pencil,—Muirhead Bone. VERY FINE 


b IMPRESSION, on Japan paper, in perfect conta 
Height, 3: length, 9 inches. 


BONE, MUIRHEAD 
¥. LIBERTY'S CLocK. Drypoint. 
yi i ) . Not in Campbell Dodgson. Signed in pencil,—Muirhead Bone. SUPERB 


Pa IMPRESSION, on Japan paper, in perfect condition. 
} Height, 104%; width, 456 inches. 


BONE, MUIRHEAD 
40. ON THE Y AMSTERDAM. Drypoint. 4 
Not in Campbell Dodgson. Signed in pencil,—Muirhead Bone. VERY Frit 
) : IMPRESSION, on Japan paper, in perfect condition. 
Height, 734; length, 834 inches. 


BONE, MUIRHEAD 


41. REPAIRING THE AULD Bric, AIRE. Drypoint. 
Not 1n Campbell Dodgson. Signed in pencil,—Muirhead Bone. SUPERB 


g Q im ) IMPRESSION, on Japan paper, in perfect condition. There were 38 im- 
pressions printed. 


Height, 778; length, ro inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


BONE, MUIRHEAD 
42. STIRLING CAsTLF, No. 1. Drypoint. 
Not in Campbell Dodgson. Signed in pencil,— Muirhead Bone. SUPERB 


. IMPRESSION, on Japan paper, in perfect condition. 
Mi Height, 8; length, 10 inches. 


BONE, MUIRHEAD 


43. THE ALPS FROM THE Lipo. Drypoint. 
Not in Campbell Dodgson. Signed i in pencil,— Muirhead Bone. VERY FINE 


Bs IMPRESSION, on Japan paper, in perfect condition. 
: Height, 454; length, 614 inches. 


BONE, MUIRHEAD 
44. THE FisH MARKET, VENICE. Drypoint. 


By Not in Campbell Dodgson. Signed tn pencil,—Muirhead Bone. SUPERB 
} & : IMPRESSION, on Japan paper, in perfect condition. 
| Height, 9; length, 1114 inches. 


BONE, MUIRHEAD 
45¢ WALBERSWICK FERRY. Drypoint. 
Not wn Campbell Dodgson. Signed in pencil,—Muirhead Bone. SUPERB 


my IMPRESSION, on Japan paper, in perfect condition. 
ws U7 Height, 758; length, 10 inches. 


~ BONE, MUIRHEAD 
46. SHEPHERD’S BusH. Drawing. , 
Original pen-and-ink drawing, signed in lower right corner,—M/. Bone. 
4 S In perfect condition. 
Height, 5%; length, 73 inches. 


KE. BONVIN 


_ BONVIN, E. 


47. THE Nun. Original Crayon drawing. 
‘Signed in pencil,—E. Bonwin. A beautiful study. 


ee Height, 1014; width, 576 inches. Framed. 


~ 


FELIX BRACQUEMOND 


French etcher. Born at Paris in 1833; died in 1915. 


BRACQUEMOND, FELIX 


48. PHEASANTS AT Dawn. FLiching. 
VY Signed in pencil,—Bracquemond. VERY FINE IMPRESSION, in perfect con- 
dition. 
Height, 9; length, 1338 inches. 


iY 


OO 


McGuireE-Bonnd-REID COLLECTIONS 


First Session, Wednesday Evening, November 15th 


BRACQUEMOND, FELIX 


49 PORTRAIT OF ALPHONSE LEGROS. Liching. 
4 FINE IMPRESSION, on Japan paper, margins slightly foxed, otherwise in 
0 perfect condition. 
OY Height, 534; width, 438 inches. 


BRACQUEMOND, FELIX 


50. THE BATHER, Etching. 
racquemond. FINE IMPRESSION, in perfect condition. 


Signed in pencil,—B 
Wee Height, 1374; width, 104 inches. 


FRANK BRANGWYN 


Contemporary English painter and etcher. Born in London in 1867. 


BRANGWYN, FRANK 


51. CANNON STREET STATION. Fichang. 
ee ee ate Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 
\ dition. 
Height, 28; length, 29 inches. Framed. 


BRANGWYN, FRANK 
52. Pont Maritg, Paris. Eichang. 


Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 
Ay dition. : 
j Height, 2134; length, 30 inches. Framed. 


BRANGWYN, FRANK 
53. THE Pont pu Tarn, ALBI. Litching. 
"a Pa Signed in pencil,—Frank Brangwyn. FINE IMPRESSION, in perfect con- 
eh \ dition. ; 
Height, 1934; length, 2434 inches. Framed. 


FELIX BUHOT 


French etcher, born at Valognes, 1847; died in Paris, 1898. ‘‘The technic of 
Buhot is assuredly far from being simple. But he is free. He is not the slave of 
rules and formulas; he has not the least respect for arbitrary laws; he blends and 
mixes all the different means used for obtaining effects in black and white— 
whether by cutting into or corroding the plate. He is not the slave of any one 
implement.’’—LEONCE BENEDITE. 


BUHOT, FELIX 


54. PLUIE ET PARAPLUIE. Etching. 
( Bourcard, No. 68. Second State of two. Signed with the Red Owl stamp. 
FINE IMPRESSION, on Dutch paper, in perfect condition. | 
VE - Height, 458; width, 33% inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


BUHOT, FELIX 


55. LETTRES DE Mon Moulin. Etchings. 
Bourcard, Nos, 109 to 113. First State, Proofs on Japan paper. SUPERB 
SET, in perfect condition. 
Height of each, 7; width, 4% inches. 
a - Together, 5 pieces. 
5S Five subjects, illustrations to ‘“‘Lettres de Mon Moulin” par Alphonse Daudet. 
Ss VERY FINE SET. Titles as follows,— 
No. 109. Title, Lettres de Mon Moulin. 
No. 110. La Diligence de Beaucaire. 
No. 111. Le Secret du Maitre Cornille. 
No. 112. Le Curé de Cucugnan. 
No. 113. Les Vieux. 


BUHOT,. FELIX 


. LA PLACE PIGALEEN 1878. Etching, Drypoint and Aquatint. 
/ Bourcard, No. 129. Fifth State of five. Signed in the plate, and with the 


n O Red Owl stamp. VERY FINE IMPRESSION, on French paper, in perfect 
Pee condition. 
ve Height, 9%; length, 133 inches. 


BUHOT, FELIX 


57. LA TRAVERSEE. Etching, Drypoint and Aquatint. 
Bourcard, No. 143. Second State of two. Signed on the plate and with 
4 the Red Owl stamp. BEAUTIFUL IMPRESSION, on French paper, in 


AS \ perfect condition. 
Height, 1258; width, 9% inches. 


BUHOT, FELIX 
y ois LrEs GRANDES CHAUMIERES. Drypoint. 
Bourcard, No. 150.* Fourth State of five. Signed with the Red Owl stamp. 
4 d FINE IMPRESSION, on French paper, in perfect condition. 
Height, 558; length, 1078 inches. 


BUHOT, FELIX 


59. LES BERGERIES, SOLEIL CoUCHANT. Drypoint. 
Bourcard, No. 151. Fourth State of four. Signed on the plate and with 
a) the Red Owl stamp. FINE Impression, on Dutch paper, in perfect 
condition. 


J 
wel 4 Height, 534; length, 1034 inches. 


BUHOT, FELIX 
60. WESTMINSTER, CLocK TowER. Etching, Drypoint and Aquatint. 
Bourcard, No. 156. Fourth State of six. VERY FINE EARLy IMPRESSION, 


46 ae 3 on heavy Dutch paper, in perfect condition. 
4. Height, 114; length, 157 inches. 


nn nn nnn See EEEEEEEEEEEESEE EES EEEEENS SEER SEnSEEn ER 


MeGtutrre-Bonv-RBID COLL EG 
First Session, Wednesday Evening, November 15th 


BUHOT, FELIX 


61. ENVIRONS DE GRAVESAND. Fitching, Aquatint and Drypoint. 
Boucard, No. 157. Signed with the Red Owl stamp. FINE IMPRESSION, 
Sv on Japan paper, in perfect condition. 
Height, 10%; length, 1334 inches. 


BUHOT, FELIX 


62. Les Esprits DES VILLES MortEs. Etching and Aquatint. 
Bourcard, No. 160. Third State of five, with false margin. Signed in 
(od / pencil,—Fe/ix Buhot. FINE ImpREssIoN, printed in brown ink, on dark 
4 0 yr brown prepared paper, margin unfinished, has only a few sketches on 
sides and top, the following title is written in Buhot’s handwriting,— 
Au dessus des Monts a Travers les prés, les Vents apaisés du Soir, Nuages 
de feu des Cieux diaprés, Perisprits humains nous venons revoir, Légeéres 
cohortes qu’emportent, Les vieux clochers des Villes Mortes. In perfect 
condition. 
Height, 13; length, 1754 inches. 


YQ 


BUHOT, FELIX 


63. Les Esprirs DES VILLES MortEs. Etching and Aquatint. 
0 Bourcard, No. 160. Fifth State of five. Signed in pencil,—Felix Buhot. 
/ mi : VERY FINE IMPRESSION, in brown ink on Dutch paper, in perfect con- 
Rs ee dition. 
Height, 1134; length, 1538 inches. 


BUHOT, FELIX 


64. TAVERNE DU BAGNE. Etching, Aquatint and Drypoint. 
Bourcard, No. 163. Third State of three. Signed in the plate and with 


£0 ah the Red Owl stamp. VERY FINE IMPRESSION, on Dutch paper, in per- 
fect condition. 


Height, 1338; length, 1734 inches. 


BUHOT, FELIX 
65. LA FALAISE. BAIE DE SAint-Mato. Etching, Aquatint and Drypownt. 


Boucard, No. 165. Fifth State of five. Signed with the Red Owl stamp. 


7 40 Y, VERY FINE IMPRESSION, on Dutch paper, in perfect condition. 
\ | Height, 1178; length, 1534 inches. 


BUHOT, FELIX 
66. Les Ores. Etching and Aquatint. 
Bourcard, No. 166. Fourth State of four. Signed in pencil,—Felx Buhot. 


ry? Good impression, on Japan paper, margins slightly foxed. 
A/ Height, 6; length, 10% inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


DAVID YOUNG CAMERON 


Contemporary painter-etcher of high merit. Born at Glasgow in 1865. He 
is a Fellow of the Royal Society of Painter-Etchers, and probably the youngest 
member of that distinguished body. Sir Francis Seymour Haden, its president, 
writes of Mr. Cameron with an enthusiasm which is unusual with him—hailing 
him as a hopeful successor to the masters of the previous generation, and cor- 


dially recognizing in his work that precious gift of personality without which all 
mere technical skill is in vain. 


“In examining Mr. Cameron’s etchings it is not easy to designate his forte. 
Meryon etched picturesque buildings magnificently, but his portraits are simply 
bad. Whistler has triumphed in a wide field, but he seems to care nothing for 
the restful charms of rural landscape—where-Seymour Haden is supreme. 
Mr. Cameron already shows himself equally at home when delineating pure 


landscape, views of buildings and shipping, interiors, or portraits.’-—FREDERICK 
KEPPEL. 


CAMERON, DAVID YOUNG 


67. WHITE HorsE CLoseE. Etching. 
Rinder, No. 86. First State of two. Signed in pencil,—D. Y. Cameron. 
VerRY FINE IMPRESSION, on French paper, in perfect condition. On 


eo lower margin in Cameron’s handwriting,—W/ite Horse Close, Edinburgh, 
/ 30 ’ rst State, one of three proofs printed. 


Height, 414; length, 71% inches. 
In the old hostelry at the end of this Edinburgh “‘close’’ Dr. Johnson stayed. 


oven DAVID YOUNG 


. OuvE Kerk, AmstERDAM. Etching. 
Rinder, No. 1r7. Second State of two. Signed 1 in pencil,—D. Y. Cameron. 


FINE IMPRESSION, on French paper, in perfect condition. No. 3 1 
ii “North Holland Set.” | | 
os 2 O: Height, 814; length, 97% inches. 


The apse of the Gothic church in which Saskia, wife of Rembrandt, is buried. 


CAMERON, DAVID YOUNG 


69. THE ROKIN, AMSTERDAM. Liching. 
Rinder, No. 119. Second State of two. Signed i in pencil,—D. Y. Cameron. 


rs FINE IMPRESSION, on French .paper, in perfect condition. No. 5 in 
[ | “North Holland Set.” 


Height, 414; length, 67 inches. 


CAMERON, DAVID YOUNG 


70. A DutcH DamMsEL. Liching. . 
Rinder, No. 125. Only State. Signed in pencil,—D. Y. Cameron. VERY 


Ps FINE IMPRESSION, on French paper, in perfect condition. No. 11 in 
8Y0 , “‘ North Holland Set.” : 


Height, 1014; width, 738 inches. 


CAMERON, DAVID YOUNG 


71. DutcH INTERIOR. Etching. 
: Rinder, No. 133. Only State. Signed in pencil,—D. Y. Cameron. FINE 
rs IMPRESSION, on French paper, in perfect condition. No. 19 in “North 
49 Holland Set.”’ 
Height, 534; length, 1076 inches. 


McGuitmiRE-BoND-REID COLTS Gro 


First Session, Wednesday Evening, November 15th 


CAMERON, DAVID YOUNG 
72. THE STAIRS, ROWALLAN. Liéching. 


Rinder, No. 173. Only State. Signed in pencil,—D. Y. Cameron. FINE. 


Se IMPRESSION, on French paper, thin along upper margin and in three 
\ other parts. 
| . Height, 10; width, 734 inches. 


CAMERON, DAVID YOUNG 
724 THE Monastery. Liching. 
“ Rinder, No. 206. Second State of two. Signed in pencil,—D. Y. Cameron. 
/90: FINE IMPRESSION, on French paper, in perfect condition. No. 3 7m 
“North Italian Set.” 
Height, 914; length, 113 inches. 


CAMERON, DAVID YOUNG 


74. A VENETIAN CONVENT. Fiching. 
Rinder, No. 207. Only State. Signed in pencil,—D. Y. Cameron. Good 
/ = impression, on French paper, in perfect condition. No. 4 im “North 
/ ’ Italian Set.” 
Height, 6%; length, 8% inches. 


CAMERON, DAVID YOUNG 


75, PAOLO SALVIATI. LEiching: 
/ Rinder, No. 208. Only State. Signed in pencil,—D. Y. Cameron. FINE 
y IMPRESSION, on French paper, in perfect condition. No. 5 in “North 
| AS 0» Italian Set.”’ 
Height, 958; width, 776 inches. 


From the Arthur Collection. 


CAMERON, DAVID YOUNG 


76. SAN GiorGIo MaGcaioreE. Etching. 
Rinder, No. 213. Only State. Signed in pencil,—D. Y. Cameron, FINE 
IMPRESSION, on French paper, in perfect condition. No. 10 in “North 


3) () ) a Italian Set.”’ 


Height, 9; length, 1538 inches. 


CAMERON, DAVID YOUNG 


77. Two BripGEs. | Hiching. 
Rinder, No. 214. Second State of two. Signed in pencil,—D. Y. Cameron. 
4 BEAUTIFUL IMPRESSION, on French paper, has pin hole in sky, otherwise 
Ad) ; in perfect condition. No. rz in “North Italian Sei.” 
Height, 814; length, 1038 inches. 


CAMERON, DAVID YOUNG 


78, FARM GATEWAY, CAMPAGNETTA. Liching. 
i Rinder, No. 222. Fourth State of four. Signed in pencil,—D. Y. Cameron. 
FINE ImpRESSION, on French paper, in perfect condition. No. 19 an 
y ! ‘ “North Italian Set.” . ‘ 
Height, 1014; width, 614 inches. 


~ 


[rg ON] © 
HOVIVG § 490q 


NOYWHINVD ONIOA CIAVA 


McGuireE-Bonpd-REID 


CoLLbe@r loans 


First Session, Wednesday Evening, November 15th 


CAMERON, DAVID YOUNG 


79. PONTE VECCHIO, FLORENCE. Etching. 
Rinder, No. 224. Second State of two. Signed in pencil,—D. Y. Cameron. 


VERY FINE ImpREsSION, on French paper, in perfect condition. 


2s pehicisht, 814; length, 117 inches. 
aa 


“CAMERON, DAVID YOUNG 
8o. THE WINE Farm, Nortu ITALy. £tching. 


Gor 


CAMERON, DAVID YOUNG 
81. OLD HousEs, ROUEN. Etching. 


|W 


a 


f 


/ 
} 


Rinder, No. 227. Second State-of two. Signed in pencil,—D. Y. Cameron. 


FINE IMPRESSION, on Japan paper, in perfect condition. No. 24 im 


“North Italian Set.” 
Height, 81%; length, 932 inches. 


Rinder, No. 275. Only State. Signed in pencil,—D. Y. Cameron. FINE 
IMPRESSION, on Japan paper, in perfect condition. VERY RARE, 5 or 6 


impressions only.. 
Height, 544; length, 77% inches. 


CAMERON, DAVID YOUNG 
82. House of JOANNIS Darius. Etching and Drypoint. 3 
d second. Signed 


#360 


CAMERON, DAVID YOUNG 
83. ELCHO ON THE Tay. FHiching. 


ww 


Rinder, No. 309. Undescribed State between the first an 
in pencil,—D. Y. Cameron. SUPERB IMPRESSION, on Japan paper, in 


perfect condition. 
Height, 1234; width, 63% inches. 


“ Rinder, No. 312. Only State. Signed in pencil,—D. Y. Cameron. SUPERB, 


- 4] i: IMPRESSION, on Japan paper, upper corners slightly foxed, otherwise in 
bye : 


os p 


perfect condition. 
Height, 10%; length, 14 inches. 


CAMERON, DAVID YOUNG 
84. Docr’s Patace. Etching and Drypoint. 


iM 
CAMERON, DAVID YOUNG 
85. NortH Porcu, HonFLEvUR. Liching. 


only 


V 


7 
Laieet 


Rinder, No. 326. Second State of two. Signed in pencil,—D. Y. Cameron. 
VERY FINE IMPRESSION, on French paper, in perfect condition. 


Height, 934; length, 1534 inches. _ - 
[See Illustration] 


Rinder, No. 360. Second State of four. Signed in pencil,—D. Y. Cameron. 
VERY FINE IMPRESSION, on Japan paper, in perfect condition. . 


; a: 1434; width, 714 inches. 
RST 4 , ea é 


<nsecenmnnseseaasiett 


REESE IOARIE 


DAVID YOUNG CAMERON 
Tur GATEWAY, BRUGES 
[No. 92] 


McGuinrn&-Bonvd-RBID COL be Gee 


First. Session, Wednesday Evening, November 15th 


CAMERON, DAVID YOUNG 


86. Pont NEuF. Ltching. 
Rinder, No. 361. Second State of two. Signed in pencil,—D. Y. Cameron. 


f 7. VERY FINE IMPRESSION, on green paper, in perfect condition. No. 1 im 
i b 0) ’ “Paris Ser 
ot Height, 6; length, 1274 inches. 


CAMERON, DAVID YOUNG 
87. SAINT GERMAIN L’AUXERROIS. Etching and Drypoint. 

44 y Rinder, No. 362. Second State of three. Signed in pencil,—D. Y. Cam- 
i, / fh). eron. FINE IMPRESSION, on French paper, in perfect condition. Vo. 2 

ANY in “Paris Set.” | 

; Height, 1258; width, 6% inches. 

“From the little tower of this church, where Watteau attended Mass, the signal 
for the massacre of St. Bartholomew was given on August 24, 1572.”—RINDER. 


CAMERON, DAVID YOUNG 
—88, RESTAURANT CAVALIER. Etching and Drypornt. 
Rinder, No. 365. Fourth State of four. Signed in pencil,—D. Y. Cameron. 
—Le0. VeERvY FINE IMPRESSION, on Japan paper, in perfect condition. No. 5 
in ‘‘Paris Set.” | 
Height, 81%; length, 91% inches. 


CAMERON, DAVID YOUNG 
89. MurTHLY ON THE Tay. Etching and Drypoint. | 
Rinder, No. 376. Second State of two. Signed in pencil,—D. Y. Cameron. 
O \ BEAUTIFUL IMPRESSION, on Japan paper, in perfect condition. 
Height, 374; length, 10% inches. 


CAMERON, DAVID YOUNG 
go. Stitt WATERS. Etching and Drypoznt. 
: Rinder, No. 381. Fourth State of four. Signed in pencil,—D. Y. Camerov. 
va SUPERB IMPRESSION, on Japan paper, in perfect condition. 
p 4 Height, 6; length. 12% inches. ae 
‘‘An etching of the Tay.’’-—RINDER. 


CAMERON, DAVID YOUNG ; 
gt. Mar’s Work, Stiruinc. No. 2. Etching and Drypownt. 
Rinder, No. 386. Fourth State of four. Signed in pencil,—D. Y. Cameron. 
9 ) ‘s /_ FINE IMPRESSION, on Japan paper, in perfect condition. 
Oya pelle” Height, 974; width, 634 inches. 
y CAMERON, DAVID YOUNG 
92. THE GATEWAY OF Brucgs. Etching and Drypownt. 
Rinder, No. 387. Third State of three. Signed in pencil,—D. Y. Cameron. 
ic “AS FINE IMPRESSION, on French paper, in perfect condition. No, I in 
tL : ; “Belgian Set.” . . 
Height, 1274; width, 734 inches. ~ 
[See Illustration] 
Shows the Porte de Grand, with a distant view of the Belfry. 


wae 


DAVID YOUNG CAMERON 
Tap Five SisteErRS—YorK MINSTER 
[No. 95] 3 


McGuirE-Bonvd-RE1ID COLLECTIONS 
First Session, Wednesday Evening, November 15th 


CAMERON, DAVID YOUNG 


93. La Matson Norre, BrucEs. Etching and Drypoint. 
Rinder, No. 389. Only State.. Signed in pencil,—D. Y. Cameron. VERY 


/ FINE IMPRESSION, on Japan paper, in perfect condition. No. 3 in “‘Bel- 
f 0° gian Set.” 
Height, 1214; width, 434 inches. 


CAMERON, DAVID YOUNG 
94. Dinant. Etching and Drypoint. 
Rinder, No. 395. Third State of three. Signed in pencil,—D. Y. Cameron. 
sy . _. Fine Impression, on French paper, thin spot at back near lower right 
ve corner. No. 9 in ‘‘Belgian Set.” . 
/ ay" Height, 8; length, 14 inches. 
inl Notre Dame is visible behind the house fronts on the left. 


‘CAMERON, DAVID YOUNG 
95. THE Five SISTERS, YORK MINSTER. . Etching and Drypoznt. 


. Rinder, No. 397. Third State of four. Signed in pencil,—D. Y. Cameron. 
' SUPERB IMPRESSION, on Japan paper, in perfect condition. Only 30 
ae. impressions taken. THE ARTIST’S MASTERPIECE. 
is ye Height, 1524; width, 7% inches. 
~, v/' [See Illustration] 
P ‘This, perhaps the loveliest of great English windows, is also more than any other 
a subject for the etcher, as its beauty is less that of a jewel-colour than of a light- 
interpenetrated design.’’—RINDER. 
CAMERON, DAVID YOUNG — 
96. ON THE OuRTHE. Fiching and Drypoint. 
6) hh 7 Rinder, No. 398. Third State of three. Signed in pencil,—D. Y. Cameron. 
ru? FINE IMPRESSION, on French paper, in perfect condition. 


Height, 414; length, 614 inches. 


“On the bank of the Ourthe is the ruined castle of Ambléve, associated with the, 
mediaeval legend of the Quatre Fils Aymon, and with William de la Marck, the 
‘Wild Boar of the Ardennes,’ whose exploits are vividly described in ‘Quentin 
Durward.’ ’’—RINDER. 


CAMERON, DAVID YOUNG 


97. AFTERGLOW (OR EVENING) ON THE FINDHORN. Etching and Drypoint. 

Rinder, No. 399. Second State of two. Signed in pencil,—D. Y. Cameron. 
FINE IMPRESSION, on old French paper, in perfect condition. 

Height, 9; width, 81% inches. 


[See Illustration] 


CAMERON, DAVID YOUNG 
98. THE LittLE DEvIL OF FLORENCE. Etching and Drypoint. 
on Rinder, No. gor. First State of two. Signed in pencil,—D. Y. Cameron. 
FINE IMPRESSION, on Japan paper, in perfect condition. 


AL Height, 1478; width, 854 inches. 


DAVID YOUNG CAMERON 


AFTERGLOW 


97] 


No. 


MecGui1irREe-Bonvd-REID COL Lae toe 


First Session, Wednesday Evening, November 15th 


CAMERON, DAVID YOUNG 
99. THE DEsERT. Etching and Drypoint. 
Rinder, No. 410. Fourth State of four. Signed in pencil,—D. Y. Cameron. 
FINE IMPRESSION, on Japan paper, in perfect condition. 
yw ’ Height, 914; length, 137% inches. 


The fragment of Pyramid seen in the etching forms part of the great Gizeh Group. 


a 


CAMERON, DAVID YOUNG 
, 100. Beauvais. Etching and Drypoint. 


4 Rinder, No. 412. Tenth State of ten. Signed in pencil,—D. Y. Cameron. 
ie VERY FINE IMPRESSION, on French paper, in perfect condition. 
/ Height, 1014; width, 8% inches. 


CAMERON, DAVID YOUNG 


tor. THE Mosque Doorway. Etching and Drypoint. 

/ Rinder, No. 413. Third State of four. Signed in pencil,—D. Y. Cameron. 

(]} t) VERY FINE IMPRESSION, on Japan paper, in perfect condition. Only 42 
impressions taken. 


g | Height, 1638; width, 8 inches. 
io 


CAMERON, DAVID YOUNG 
102. STREET IN Catro. Etching and Drypoint. 
Sf. Rinder, No. 414. Fifth State of five. Signed in pencil,—D. Y. Cameron. 
3 '¢ FINE IMPRESSION, on Japan paper, in perfect condition. 
Height, 1438; width, 87 inches. 


CAMERON, DAVID YOUNG 
SJ 103: THE WINGLESS CHIMERA. Etching and Drypoint. 
@ Rinder, No. 416. Eighth State of eight. Signed in pencil, —D.Y. Cameron. 
4 FINE IMPRESSION, on Dutch paper, in perfect condition. ah 
Height, 758; length, 938 inches. : 


CAMERON, DAVID YOUNG 


104. BEN Lepi. LHiching and Drypoint. 
‘kinder, No. 424. Second State of two. Signed in pencil,—D. Y. Cameron. 


VERY FINE IMPRESSION, on Japan paper, in perfect condition. 
* Height, 1474; width, 11 KB inches; 
[See Frontispiece for Illustration] FS 


The Gaelic name Ben Ledi, ‘The Hill of God,’ is said to have originated in the Beltane 
mysteries celebrated on its summit. 


CAMERON, DAVID YOUNG 


T0905. ARRAN PEAKS. Etching. 

my | Not in Rinder. Signed in pencil,—D. Y. Cameron. FINE IMPRESSION, on 

§ French paper, in perfect condition. . 
Height, 97%; length, 137% inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


CAMERON, DAVID YOUNG 


106. CAIRNGORMS. Drypoint. 
ot in Rinder. Signed in pencil,—D. Y. Cameron. VERY FINE IMPREs- 


i) SION, on French paper, in perfect condition. 
/ y ‘Height, 876; length, 137 inches. 


' CAMERON, DAVID.YOUNG 


107. TEWKESBURY ABBEY. FEiching and Drypoint. | 
Not in Rinder. Signed in pencil,—D. Y. Cameron. SUPERB IMPRESSION, 


on French paper, in perfect condition. 


; Z }V Height, 1658; width, 87% inches. 


CAMERON, DAVID YOUNG 


108. NITHSDALE. Drypozint. 

Not in Rinder. Signed in pencil,—D. Y. Cameron. FINE IMPRESSION, on 
0 French paper, in perfect condition. 
yo “4 


Height, 6; length, 1254 inches. 


MARY CASSATT 


Born at Pittsburgh in 1855. She studied at the Pennsylvania Academy of Fine 
Arts and later with Degas. She has won for herself the position of one of the 
foremost depicters of child life in France and America. 


CASSa Ti MARY 
109. ENFANT APPUYEE PRES DE SA MERE. Drypoint. 
Signed in pencil,—Mary Cassatt. VERY FINE IMPRESSION, on French 


paper, in perfect condition. 
Height, 978; width, 67% inches. 


JEAN BAPTISTE CAMILLE COROT 


Celebrated French painter andetcher. Bornin Paris, 1796; died there in 1875. 


COROT, JEAN BAPTISTE CAMILLE 


110. VILLE-D’AVRAY, L’ETANG AU BATELIER. Etching. 
Delteil, No. 3. Third State of three. Signed in the plate,—Corot. VERY 
FINE IMPRESSION, in brown ink on French paper, in perfect condition. 


Height, 278; length, 434 inches. 


Peer, Jean BAPTISTE CAMILLE 


111. UN Lac Du Tyrov. Eifching. . 
Delteil, No. 4. Third State of four. Signed in the plate,—Corot. FINE 


IMPRESSION, on parchment, in perfect condition. 
Height, 414; length, 67 inches. 


McGuire-Bonnd-REBID COR oe 


First Session, Wednesday Evening, November 15th 


SAMUEL COUSINS 


Born in Exeter in 1801; died in London, May 7, 1887. Pupil of S. W. Reynolds. 
‘Un des meilleurs graveurs anglais de ce siécle.’-—HENRI BERALDI. 


COUSINS, SAMUEL 
112. THE COUNTESS OF BLESSINGTON. Mezzotint. 
Whitman, No. 19. First State. After Sir Thomas Lawrence. FINE Im- 


PRESSION, in perfect condition. 
Height, 844; width, 6% inches. Framed. 


COUSINS, SAMUEL 
113. COUNTESS ELIZABETH MARY GROSVENOR. Mezzotint. 
Whitman, No. 77. After Sir Thomas Lawrence. BRILLIANT PROOF, in 


perfect condition. 
Height, 9%; width, 774 inches. Framed. 


COUSINS, SAMUEL 
114. MASTER Hope. Mezzotint. 
Whitman, No. 87. After Sir Thomas Lawrence. FINE IMPRESSION, 


signed in pencil,—Samuel Cousins. In perfect condition. 
Height, 714; width, 67% inches. 


COUSINS, SAMUEL 
115. MASTER LAMBTON. Mezzotint. 
Whitman, No. 98. First State. After Sir Thomas Lawrence. VERY FINE 


PROOF BEFORE ALL LETTERS, with small margins, in perfect condition. 
Height, 1538; width, 1158 inches. 


COUSINS, SAMUEL 
116. NATURE. Mezzotint. 
Whitman, No. 205. After Sir Thomas Lawrence. VERY FINE IMPRESSION, 
with small margins, in perfect consi 


Height, 7%; width, 7 inches, 


COUSINS, SAMUEL 
117. THE SUNSHINE OF LOVE. Mezzotznt. 
Whitman, No. 225. First State. After John Raoux. FINE IMPRESSION, 
in perfect condition. 


Height, 12; width, 91% inches. Framed. 


CHARLES FRANCOIS DAUBIGNY 


French painter and etcher, born in Paris in 1817; died in Paris in 1878 


DAUBIGNY, CHARLES FRANCOIS 


118. Les BorDs DU CousIN, EFFET DU Soir. Etching. 
Henriet, No. 63. Fourth State of four. Signed in the plate,—Daubigny. 
Good impression, on India paper, in perfect condition. 
Height, 578; width, 45% inches. 


a IES a 
Under the Management of the American Art Association 
eee ee a an Aart ASSOCLALION 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


DAUBIGNY, CHARLES FRANCOIS 
119. L’AUTOMNE, SOUVENIR DU Morvan. Etching. 
Henriet, No. 66. First State of five. Signature etched in the lower margin. 
Superb impression, printed on Holland paper. IN PERFECT CONDITION. 
OF THE GREATEST RARITY. 
Height, 454; length, 77% inches. 


From the Giacomelli Collection. 


DAUBIGNY, CHARLES FRANCOIS 
120. LE BAc; SOUVENIR DES ILES BEZONs. Etching. 
Henriet, No. 68. Only State. Good impression, on French paper, slightly 


stained. 
Height, 638; width, 376 inches. 


DAUBIGNY, CHARLES FRANCOIS 
121. LES CHARRETTES DE ROULAGE; SOUVENIR DU Morvan. Etching. 
Henrtet, No. 70. Proof before the printer’s name. Signature etched in the 
lower margin. SUPERB IMPRESSION, printed on India paper. IN PER- 
FECT CONDITION. VERY RARE. 
Height, 34; length, 57 inches. 


From the Giacomelli Collection. 


DAUBIGNY, CHARLES FRANCOIS 
122. Le Bac DE BEzons. Etching. 
Henriet, No. 74. Second State of two. Signed in the plate,—Daubigny. 


FINE IMPREssION, on India paper, in perfect condition. 
Height, 378; length, 63% inches. 


DAUBIGNY, CHARLES FRANCOIS 
123. SOLEIL CoucHANtT. Etching. 
Henriet, No. 84. First State of two. Signature etched in lower margin. 
SUPERB IMPRESSION, printed on India paper. IN PERFECT CONDITION. 
Height, 41%; length, 714 inches. 


From the Giacomelli Collection. 


DAUBIGNY, CHARLES FRANCOIS 
124. L’ARBRE AUX CoRBEAUX. E‘ching. 
| Henriet, No. 110. Only State. Signed in the plate,—Daubigny. Good 
impression, on Japan paper. ) . 
Height, 74; length, 11 inches. 


HILAIRE GERMAIN EDGAR DEGAS 


Celebrated French painter and etcher, born at Paris in 1834; died in 1917. 


DEGAS, HILAIRE GERMAIN EDGAR 
125. LE GRAVEUR JOSEPH TourNY. Fiching. 
Delteil No. 4. VERY FINE IMPRESSION on India paper in perfect con- 
dition. EXTREMELY RARE. 
Height 914; width 55 inches. 


McGuire-Bonpd-REID COLE Gt ree 


First Session, Wednesday Evening, November 15th 


P. DUPONT 


Contemporary Dutch etcher. 


DUPONT: P; 


126. FEEDING TIME: APPLE Blossoms. Ltchings. 
Signed in pencil—Dupont. Good impressions, in perfect condition. Edi- 


tions limited to 100 impressions. 
Height, 1014; length, 13% inches. 
Together, 2 pieces. 


ALBRECHT DURER 


Born, Niirnberg, in 1471; died there 1528. He was of Hungarian descent; his 
father coming from the little village of Eytas in Hungary. In 1486, Albrecht 
entered the studio of Michael Wolgemut, the best Niirnberg painter of the day. 
He worked there four years, and then spent several others traveling about, 


probably for the most part in Germany. 


DURER, ALBRECHT 


127. COAT-OF-ARMS WITH A SKULL. Engraving. 
Bartsch, No. ror. Signed in the plate with the monogram,—AD. 1503. 


Good impression, has heavy fold over left shoulder of lady, and slightly 


Pe ¢ 
ye stained. 
Height, 858; width, 614 inches. 


GERARD EDELINCK 


Celebrated Dutch engraver, born in 1649; died in 1707. 


EDELINCK, GERARD 


128. PHILIPPE DE CHAMPAIGNE. Line-engraving, 1670. 
Robert Dumesnil, No. 164. First State. Good impression, with the in- 


scription, few stains, otherwise in perfect condition. 
Height, 1438; width, 13 inches. 


From: the Carl Schloesser Collection. 


MARIANO FORTUNY 


Celebrated Spanish painter and etcher, born in 1836; died in 1874. 


FORTUNY, MARIANO 


129. AN ARQUEBUSIER. Pen-and-Ink Drawing. 
Signed in lower right corner,—Fortuny. A very fine and characteristic 


example of the artist’s work. 
Height, 1014; width, 814 inches. Framed. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


NORBERT GOENEUTTE 


Modern French etcher. 


GOENEUTTE, NORBERT 


130. ENTRANCE TO GRAND CANAL, VENICE: ANVERS. Etchings. 
Signed in pencil,—Norberi Goeneutte. Good impressions, in perfect con- 
dition. 
Height, 1014; length, 1614 inches. 
Together, 2 pieces. 


FRANCISCO GOYA 


Celebrated Spanish painter, etcher, aquatinter and lithographer, born in 1746; 
died in 1828. 


GOYA, FRANCISCO 
131. AND Turis Is Wuy His House Burns. Etching and Aquatint. 
Lefort and Hofmann, No. 18. FINE IMPRESSION, with the title, in perfect 
condition. 
Height, 714; width, 434 inches. 


“He cannot get his trousers on, and continues to iceden his lamp until the fire 
engines extinguish it. How great, then, is the power of wine. 


GOYA, FRANCISCO 
132. “Husw”’. Hiching and Aquatint. 
Lefort and Hofmann, No. 28. FINE IMPRESSION, with the title, in perfect 
condition. 
Height, 714; width, 5 inches. 


“Excellent mother for a confidential errand.”’ 


GOYA, FRANCISCO 
133. THE BLOWERS OF WIND. Etching and Aquatint. 
Lefort and Hofmann, No. 48. FINE IMPRESSION, with the title, in perfect 
condition. 
Height, 714; width, 5 inches. 


‘The wind-blowing demons are the most wearisome of all, and the least intelligent 
in the art of sorcery. If they understood anything they would.,not be wind- 
blowers.”’ 


GOYA, FRANCISCO 
134. THERE THEY Go. Liching. 
Lefort and Hofmann, No. 66. FINE IMPRESSION, with the title, in A Beriont 
condition. 
Height, 734; width, 47 inches. 


‘‘Here is a sorceress riding in company with a lame devil. This poor devil, however, 
mocked by all the world, fails not at times to make himself useful.”’ 


Se RC 
McGuirReE-Bonvd-REID COLLECTIONS 


First Session, Wednesday Evening, November 15th 


CHARLES STORM VAN ’S GRAVESANDE 


Contemporary Dutch painter-etcher. Born at Breda in 1841; living in Brussels. 
Félicien Rops first suggested to him the use of the needle, which he did with such 
skill and application, that he is now considered the Dean among the Dutch 
etchers. 


GRAVESANDE, CHARLES STORM VAN’S 


135. AMSTERDAM: ON THE SCHELDT. Fiching and Drypovnt. 
Signed in pencil,—Ch. Storm van ’s Gravesande. Good impressions. in per- 
fect condition. 
Height, 1058; length, 153 inches. 
Together, 2 pieces. 


GRAVESANDE, CHARLES STORM VAN ’S 
136. BLOEMENDALL, ENVIRONS OF HAARLEM: ZANDROORT BEACH. Eichings. 
Signed in pencil,—Ch. Storm van's Gravesande. Good impressions, in per- 
fect condition. 
Height, 614; length, 11 inches. 
Together, 2 pieces. 


GRAVESANDE, CHARLES STORM VAN’S 
137. CANAL Pres RynsBuRG: AFTER THE STorM. Fiching and Drypovnt. 
Signed in pencil,—Ch. Storm van’s Gravesande. Good impressions, in. per- 
fect condition. 
Height, 8; length, 13 inches. 
Together, 2 pieces. 


GRAVESANDE, CHARLES STORM VAN ’S 
138. FERME AU BorpD DU Lac D’ABCONDE. Etching. 
Signed in the plate. VERY FINE EArLy Impression, on India paper, in 
perfect condition. 
Height, 3%; length, 6 inches. 


GRAVESANDE, CHARLES STORM VAN ’S 
139. LE Lac D’ABCONDE. Etching. 
Signed in the plate. VERY FINE EARLY ImMpREssION, on India paper, in 
perfect condition. 
Height, 34%; length, 5% inches. 


GRAVESANDE, CHARLES STORM VAN ’'S 
140. Le Lac D’ABCcONDE. Etching. 
Signed in pencil,—Ch. Storm van’s Gravesande. FINE IMPRESSION, on India 
paper, in perfect condition. 
Height, 5; length, 878 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


SIR FRANCIS SEYMOUR HADEN 


Born in London, September 16, 1818: died 1910. Founder and President of 
the Royal Society of Painter-Etchers. ‘‘An artist of rare endowment and con- 
summate skill. He is a master of foliage, he has drawn trees magnificently, 
both as to wood and leaves; there is no better stem or branch drawing than his 
in all contemporary art.’’—P. G. HAMERTON. 


HADEN, SIR FRANCIS SEYMOUR 


141. KENSINGTON GARDENS. (Small Plate.) Etching. 
Harrington, No. 12. Third State of three. Signed in the plate,—Seymour 
Haden. FINE IMPRESSION, on French paper, in perfect condition. 
Height, 614; width, 45% inches. 


HADEN, SIR FRANCIS SEYMOUR 


142. EGHAM Lock. Etching. 
Harrington, No. 16. Second State of two. Signed in pencil,—Seymour 
Haden. FINE IMPREsSION, on French paper, in perfect condition. 
Height, 578; length, 834 inches. 


HADEN, SIR FRANCIS SEYMOUR 


143. SHERE Mitt Ponp. (The Small Plate.) Eiching. 
Harrington, No. 37. Only Published State. Signed in pencil,—Seymour 
Haden. FINE IMPRESSION, in perfect condition. 
Height, 41%; length, 658 inches. 


HADEN, SIR FRANCIS SEYMOUR ., 


144. A SUNSET IN IRELAND. Drypoint. 

Harrington, No. 51. Second published State of two. Signed in pencil,— 
Seymour Haden. VERY FINE IMPRESSION, on French paper, in perfect 
condition. 

Height, 5%; length, 8% inches. 

““‘Hayden’s best work in drypoint, and it certainly deserves its reputation of one 


of its author’s masterpieces. The quiet, peaceful sunset behind the dark masses 
of trees makes a plate of exquisite beauty.’’-—ATHERTON CURTIS. 


HADEN, SIR FRANCIS SEYMOUR 


145. HorsLeEy’s House at WILLESLEY. Ftching. 
Harrington, No. 99. Only Published State. Signed in Pencil,—Seymour 
Haden. VERY FINE IMPRESSION, on French paper, in perfect condition. 
Height, 7; length, 97 inches. 


HADEN, SIR FRANCIS SEYMOUR 


146. THE HERD. . Etching. 
Harrington, No. 128. Only Published State. Signed in the plate,—Seymour 
Haden. FINE IMPRESSION, in perfect condition. 
Height, 514; length, 814 inches. Framed. 


McGutrREe-Bonodo-RBID COLDER OC Pihee 


First Session, Wednesday Evening, November 15th 


HADEN, SIR FRANCIS SEYMOUR 


_AA47. THE THREE SISTERS. Eiching. | 
A Harrington, No. 129. Second State of two. Signed in pencil,—Seymour 
Haden. FINE ImpRESSION, on Dutch paper, in perfect condition. 
Height, 5%; length, 814 inches. 


HADEN, SIR FRANCIS SEYMOUR 
148. BREAKING UP OF THE AGAMEMNON. Etching. | 
Harrington, No. 145. Signed in pencil,—Seymour Haden. FINE IMPRES- 
SION, on French paper, in perfect condition. On lower margin is written, 
—This proof on Old. French paper, very fine proof, F. Goulding, Printer. 
Height, 714; length, 16 inches. 


HADEN, SIR FRANCIS SEYMOUR 


149. THE Poot Dorntz. Etching. 
Harrington, No. 158. Second State of two. Signed in pencil,—Seymour 
Haden. FINE IMPRESSION. In perfect condition. 
Height, 614; length, 10% inches. 


HADEN, SIR FRANCIS SEYMOUR 


150. WINDMILL Hitt, No. 2. Drypoint. 
Harrington, No. 164. Second State of two. Signed in pencil,—Seymour 
Haden. FINE IMPRESSION, on Dutch paper, in perfect condition. 
Height, 6; length, 876 inches. 


HADEN, SIR FRANCIS SEYMOUR 
151. THE KEEP. Drypoztnt. 
Harrington, No. 168. Signed in pencil,—Seymour Haden. FINE IMPRES- 
SION, on French paper, in perfect condition. 
Height, 6; length, 9 inches. 


. HADEN, SIR FRANCIS SEYMOUR 


152. CHALLOW Farm. Drypoint. 
Harrington, No. 175. Only Published State. Signed in pencil,—Seymour 
Haden. FINE IMPRESSION, in perfect condition. 
Height, 6; length, 876 inches. 


HADEN, SIR FRANCIS SEYMOUR 


153. Dusty MILLERS. Liching. 
Harrington, No. 182. Signed in pencil,—Seymour Haden. FINE IMe 
PRESSION, on Japan paper, in perfect condition. 
Height, 534; length, 834 inches. 


HADEN, SIR FRANCIS SEYMOUR 


154. LANCASHIRE RIVER. Etching and Drypoint. ~ 
Harrington, No. 215. Signed in pencil,—Seymour Haden, FINE IM- 
PRESSION, on Dutch paper, in perfect condition. 


Height, 11; length, 16 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


HADEN, SIR FRANCIS SEYMOUR 
155. GRAYLING FISHING. Mezzotint. 
_ Harrington, No. 241. Only Published State. Signed in pencil,—Seymour 
Haden. FINE IMPRESSION, on Dutch paper, in perfect condition. 
Height, 734; length, 11% inches. 


AXEL HERMAN HAIG 


Born at Katthamara, in the Swedish island of Gotland, in the Baltic. Educated 
to be an architect, he practiced in that profession for a number of years. Almost 
a half century ago he renounced that profession for that of an etcher—since then 
he has consistently exercised his powers upon the noblest examples of archi- 
tecture in England, France, Sweden, Spain and Italy. 


HAIG, AXEL HERMAN 


156. Mont St. MIcHEL. Etching. 
Armstrong, No. 27. Signed in pencil,—Axel H. Haig. FINE IMPRESSION, 
in perfect condition. Edition limited to 500 proofs. 
Height, 3424; width, 2414 inches. Framed. 


~CHILDE HASSAM 


American painter and etcher.. Born at Boston in 1859. 


HASSAM, CHILDE 


157. Cos Cos Dock. Fiching. 
Signed in pencil,—C. H. imp. VeERy FINE ImprREssIoN, in perfect condi- 


tion. 
Height, 814; width, 634 inches. 


HASSAM, CHILDE 


158. GARDEN OF THE LUXEMBOURG. Etching. : 
Signed in pencil,—C. H. imp. FINE IMPRESSION, in perfect condition. 
‘Height, 1034; width, 874 inches. 


JOSEF ISRAELS 


Celebrated Dutch painter and etcher. Born at Gréningen in 1824. 


ISRAELS, JOSEF 
159. GIRL WITH BASKET SEATED ON THE SHORE. Eiching. 
Signed in pencil,—Josef Israels. VERY FINE Impression, on Dutch paper, 
in perfect condition. 
Height, 6; length, 9 inches. 


MeGuirRe-Bond-REID COLLDE Gao 


First Session, Wednesday Evening, November 15th 


ISRAELS, JOSEF 


160. THE FISHERMAN. Etching. 
Signed in pencil,—Josef Israels. Good impression, on Japan paper, in 
perfect condition. 


Height, 15; width, 105 inches. 


CHARLES JACQUE 


Celebrated French painter and etcher. Born in Paris in 1813; died at Barbizon 
in 1894. 


JACQUE, CHARLES 


161. L’ABREUVOIR AUX Moutons. Drypoint. 
Guiffrey Supplement, No. 50. Signature etched in the plate. BEAUTIFUL 
IMPRESSION, printed on Japan paper. In perfect condition. 
Height, 6%; length, 10 inches. 


JACQUE, CHARLES 


162. PAYSAGE, Sorr. Etching. 
Guiffrey, No. 94. Signature etched in the plate. BEAUTIFUL IMPRESSION. 
In perfect condition. 


/ D> Height, 374; length, 7% inches. 


JACQUE, CHARLES 


163. CHAUMIERES. Liching. 
Guiffrey Supplement, No. 242. Signature etched in the plate. BEAUTIFUL 
ral) IMPRESSION. In perfect condition. 
my Jb f- Height, 634; length, 83 inches. 


From the Gerbeau Collection. 


WILLIAM LEE-HANKEY 


Contemporary English etcher. 


LEE-HANKEY, WILLIAM 
164. THE CONFESSION. Drypozint. 


of Hardie, No. 98. Second Published State of two. Signed in pencil,— 
W. Lee- Hankey. VERY FINE IMPRESSION, in perfect condition. There 
ye e) were 75 wmpressions in this siate. 


Height, 1078; width, 636 inches. 


LEE-HANKEY, WILLIAM 
165. A RIVER IN PicarRpy. Fiéching. 


Sih Hardie, No. 131. Only Published State. Signed in pencil,—W. Lee- 
A sy Hankey. FINE IMPRESSION, in perfect condition. There were 50 impres- 
yy sions in this state. 


Height, 924; width, 978 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


LEE-HANKEY, WILLIAM 


166. THE LODGE Farm, Essex. Drypoint. 
Hardie, No. 142. Second Published State of two. Signed in pencil,— 
A) / W. Lee-Hankey. FINE IMPRESSION, in perfect condition. There were 
) A 50 wmpressions tn this state. 
} ] fee 6 Jencth, $17 inches. 


LEE-HANKEY, WILLIAM 


167. THE Mippay MEAL. Drypoint. 
, Hardie, No. 145. Only Published State. Signed in pencil,—W. Lee- 
ee Hankey. FINE IMPRESSION, in perfect condition. There were 100 im- 
S&S pressions in this state. | 
Height, 77%; length, 87% inches. 


LEE-HANKEY, WILLIAM 


168. DENISE. Drypoint. 
Hardie, No. 155. Only Published State. Signed in pencil,—W. Lee- 
: Hankey, FINE IMPRESSION, in perfect condition. There were 100 im- 
iL ’ pressions 1n this state. 
Height, 778; width, 5 inches. 


LEE-HANKEY, WILLIAM 


169. TRINKET Box. Drypoznt. 
/Hardie No. 157. Only Published State. Signed in pencil,—W. Lee- Hankey. 
YY A FINE IMPRESSION, on Dutch paper, in perfect condition. There were 
LY 100 impressions, in this state. 
Height, 434; length, 614 inches. 


LEE-HANKEY, 


170. THE TRI0. Drypoint. | 
, Hardie, No. 159. Only Published State. Signed in pencil,—W. Lee-Han- 
— key. FINE IMPRESSION, in perfect condition. There were 100 wmpres- 
/J ) sions, in thts state. 
Height, 7; width, 7 inches. 


LEE-HANKEY, WILLIAM 
171. ANNETTE. Drypoint. - ; 
Hardie, No. 163. Only Published State. Signed in pencil,—W. Lee- 
Hankey. FINE IMPRESSION, on Dutch paper, in perfect condition. There 
0 . were IOO 1mpress1ons in this state. 
Height, 578; width, 4 inches. 


LEE-HANKEY, WILLIAM 
172. MOTHER AND Son. Drypoint. 
Signed in pencil,—W. Lee-Hankey. FINE IMPRESSION, in perfect con- 
dition. 


p 0 ‘ Height, 878; width, 7 inches. 


MeceGuirne-Bond-RE1ID © 0 ipheeee 


First Session, Wednesday Evening, November 15th 


ALPHONSE LEGROS 


‘Born at Dijon in 1837, Legros has been amongst us since 1863. But it is not 
English life—or, indeed, any life—that has made him what he is. ... . He has 
been fed on the Renaissance, and on Rembrandt; but yet the originality of his 
mind pierces through the form it has pleased him to impose on its expression. 
He gives to masculine character nobility and dignity.’-—FREDERICK WEDMORE. 


LEGROS, ALPHONSE 
173. Portrait or M. J. Datovu. Liéching. 
Malassis, No. 41. Signed in pencil,—A. Legros. FINE IMPRESSION, has 
\ ~4 few stains and margins slightly foxed. 
}) Height, 874; width, 6 inches. 


LEGROS, ALPHONSE 
174. PORTRAIT OF SIR EDWARD PoyNTER. Liching. 
7, Malassis, No. 42. Signed in pencil,—A. Legros. FINE IMPRESSION, mar- 
/ L gins slightly foxed, otherwise in perfect condition. 
Height, 1014; width, 634 inches. 


LEGROS, ALPHONSE 
175. LE VoyAGEuR A L’asri. Etching. 
Malassis, No. 83. Signed in pencil,—A. Legros. VERY FINE IMPRESSION, 
4) in perfect condition. 
/ Fees Height, 914; width, 6% inches. 
From the T. G. Arthur Collection. 


LEGROS, ALPHONSE 
176. Les FAIsEURS DE Facots. Etching. 
Malassis Supplement, No. 152. Signed in pencil,—A. Legros. FINE 
ae IMPRESSION, in perfect condition. 
‘) Height, 15; width, 107 inches. 


LEGROS, ALPHONSE 
a LE PECHEUR A LA LIGNE. Ftching. 
Malassis Supplement, No. ror. Signed in pencil,—A. Legros. FINE Iu- 


A, p PRESSION, in perfect condition. 
= Height, 1156; width, 85% inches. 


‘ 


LEGROS, ALPHONSE 
178. LAITIERE A BOULOGNE (Second Plate). Etching. 
Malassis Supplement, No. 215. Signed in pencil,—A. Legros. FINE 


i: ) 7 IMPRESSION, in perfect condition. 
f Height, 5%; length, 834 inches. 


LEGROS, ALPHONSE 
179. LA FERME DU COTEAU. Etching. 
{ / Malassis Supplement, No. 222. Second State of two. Signed in pencil,— 
| My A. Legros. FINE IMPRESSION, on French paper, in ree condition. 
Height, 714; width, 5 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


LEGROS, ALPHONSE 


180. LA GRAND CANAL. Drypoint. - 
Malassis Supplement, No. 274. Signed in pencil,—A. Legros. SUPERB 


IMPRESSION, in perfect condition. 


HW G Height, 1538; length, 22!4 inches, Framed. 
, Vi prin ; 
LEGROS, ALPHONSE 
181. UN OraGE. Etching and Drypotnt. 
avy Malassis Supplement, No. 258. Signed in pencil,—A. Legros. FINE Iu- 
2 De PRESSION, in perfect condition. 
Height, 678; length, 9% inches. 


LEGROS, ALPHONSE 


182. RIVE DU SAINT PRE. Drypoint. 
Malassis Supplement, No. 300. Signed in pencil,—A. Legros. BEAUTIFUL 


Pees IMPRESSION, in perfect condition. 
[Ss Height, 678; width, 6 inches. 
From the R. Gutekunst Collection. 


LEGROS, ALPHONSE 
183. €ouP DE VENT. Etching. 
Malassis Supplement, No. 312. Signed in pencil,—A. Legros. -FINE 
IMPRESSION, in perfect condition. 


od ' Height, 634; width, 334 inches. 


LEGROS, ALPHONSE 
184. SOLEIL D’HIVER DANS LES Bors. Drypoint. 
re) Malassis Supplement, No. 365. Signed in pencil,—A. Legros. FINE 
30 VY if IMPRESSION, in perfect condition. 
Height, 358; length, 524 inches. 


DEGROs, ALPHONSE 


185. FEMME pU Marcueé. Drypoint. 
Malassis Supplement, No. 375. Second State of two. Signed in pencil,— 


7 A. Legros. VERY FINE ImpRESSION, on French paper, in perfect con- 
Yo dition. The second print from the plate, Ist, state unique. There were 
only 9 proofs of this, the only other state. : 

Height, 778; width, 57 inches. 
: From the T. G. Arthur Collection. 


LEGROS, ALPHONSE 


186. MASURE SUR LA COLLINE. Etching. 
Malassis Supplement, No. 435. Signed in pencil,—A. Legros. Good im- 


pression, in perfect condition. 


lo \ Height, 5; length, 6% inches. 


MeGutRE-BonndD-REID COLDER Oho 


First Session, Wednesday Evening, November 15th 


LEGROS, ALPHONSE 
187. UNE ANCIENNE AUBERGE. Ftching. 


Malassis Supplement, No. 452. Signed in pencil,—A. Legros. FINE 
77 IMPRESSION, in perfect condition. 


Height, 478; length, 87 inches. 


LEGROS, ALPHONSE 


188. CHATEAU DES REVENANTS. Etching. 
() Malassis Supplement, No. 500. Signed in pencil,—A. Legros. VERY FINE 
. yA IMPRESSION, in perfect condition. 
Height, 678; length, 9 inches. 


LEGROS, ALPHONSE 
189. LA FERME DE L’ABBAYE. Ltching. 


Malassis Supplement, No. 503. Signed in pencil,—A. Legros. FINE 
PA IMPRESSION, in perfect condition. 
/ : \ Height, 8%; length, 11% inches. 


LEGROS, ALPHONSE 


190. LES RUINES pU CHATEAU. Etching. 
yO, Malassis Supplement, No. 512. Signed in pencil,—A. Legros. FINE Im- 
/ y 3 PRESSION, in perfect condition. 
Height, 534; length, 94 inches. 


LEGROS, ALPHONSE 


yale LE TONNELIER. Etching. 

Malassis Supplement, No. 520. Signed in pencil,—A. Legros. FINE IM- 
0) : PRESSION, in perfect condition. ‘ 
Height, 7%; length, 13% inches. 


LEGROS, ALPHONSE 


192. CHAILLI, STORM EFFeEct. Etching. 
y Wa Malassis Supplement, No. 535. Signed in pencil,—A. Legros. FINE Im- 


7 


N PRESSION, in perfect condition. 
Height, 41%; length, 7 inches. 


LEGROS, ALPHONSE 


193. LE PETIT BROLEUR D’HERBE. Eftching. 3 
rs Malassis Supplement, No. 592. Signed in pencil,—A. Legros. FINE IM- 
ors PRESSION, in perfect condition. 
Height, 434; width, 434 inches. 


LEGROS, ALPHONSE 


\/ 194. PicHEuRS DE TRUITES. Etching and Drypoint. 
Mallassis Supplement, No. 595. Signed in pencil,—A. Legros. FINE IM- 
dF e PRESSION, in perfect condition. 
Height, 434; length, 77 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


LEGROS, ALPHONSE 


4 195« LES TOURBIERES. Etching and Drypoint. 
: eo Malassis Supplement, No. 596. Signed in pencil,—A. Legros. FINE IM- © 


PRESSION, in perfect condition. 
J 73 ~ Height, 534: length, 97% inches. 
LEGROS, ALPHONSE 


-196. Tour NORMANDE. Etching. 
7 a Malassis Supplement, No. 619. Signed in pencil,—A. Legros. VERY FINE 


IMPRESSION, in perfect condition. 
Height, 374; length, 6 inches. 


LEGROS, ALPHONSE 


197. PHILOSOPHE BOURGUIGNON. Etching. 
iG Y/Y Malassis Supplement, No. 675. Signed in pencil,—A. Legros. FINE IM- 
an PRESSION, in perfect condition. ; 
| ) 4 — Height, 7; width, 474 inches. 
HEAD OF AN OLD Lapy. Etching. 
FINE IMPRESSION, in perfect condition. 
Height, 3%; width, 3, inches. 
Together, 2 pieces. 


LEGROS, ALPHONSE 


198. A Barn. Etching. 
Signed in pencil,—A. Legros. FINE IMPRESSION, in perfect condition. 


“ Height, 514; length, 114 inches. 


GUSTAVE LEHEUTRE 


Celebrated contemporary French etcher. 


LEHEUTRE, GUSTAVE 
- 199./LA Tour St. NiziErR A Troyes. Etching and Drypoint. 
Signed i in pencil,—G. Leheutre. VERY FINE IMPRESSION, on French paper, 


in perfect condition. 
3 0 \ Height, 534; length, 934 inches. 


LEHEUTRE, GUSTAVE 


200. LE PonT DE LA LorrRE A NEVERS. Etching and Drypoint. 
[ Signed in pencil,—G. Leheutre. VERY FINE IMPRESSION, on green paper, 


in perfect condition. 
pp ‘ Height, 714; length, 11 inches. 


McGurre-Bonvd-REID COLLECTIONS 


. First Session, Wednesday Evening, November 15th 


AUGUSTE LEPERE 


Celebrated French etcher and wood engraver Born in Paris in November 
30th, 1849; died at Damme on November 2oth, 1918. 


LEPERE, AUGUSTE 
201. SUR LA SEINE, LA Nuit. Etching and Aquatint. 
Lotz-Brissonneau, No. 6. Sixth State of six. Signed in pencil,—A. Lepeére 
—19—Tirage 30. FINE IMPRESSION, on Dutch paper, in perfect con- 
y ar dition. Edition limited to 30 Proofs, including all states. 
Hh) 4 Height, 958; length, 12% inches. 


LEPERE, AUGUSTE 
202. VUE DE ST.-JEAN-DE-MontT, VENDEE. Liching. 


f), Lotz-Brissonneau, No. 48. Signed in pencil,—<A. Lepere. FINE IMPRES- 
) of SION, in perfect condition. There were 30 impressions of this plate. 
: B Height, 77%; length, 10 inches. 


LEPERE, AUGUSTE 


203. AMSTERDAM VUE DE Victoria HOTEL. Etching. 
oe Lotz-Brissonneau, No. 116. Signed in pencil,—A. Lepere. VERY FINE 
IMPRESSION, on French paper in perfect condition. 


Sy s Height, 1034; width, 658 inches. 
/ From the Petitdidier Collection. 


LEPERE, AUGUSTE 
204., L; ABREUVOIR AU PONT MarIE. Etching. 


a f Lotz-Brissonneau, No. 128. Signed in pencil, —A. Lepére, 2nd, Et. FINE 
IMPRESSION, on heavy Japan paper, in perfect condition. There were 
35 wmpressions in thts state. 
; Height, 6; length, 9 inches. 


From the E. D. Balken Collection. ' 


LEPERE, AUGUSTE 
205. DECHARGE PUBLIQUE, QUAI DE LA GARE. Ltching. 


4 Or, Signed in pencil,—A. Lepére, rst. Etat %. VERY FINE IMPRESSION, on 
"i Dutch paper, in perfect condition. There were only 3 impressions in 
K this state. 
Height, 534; length, 83 inches. 


LEPERE, AUGUSTE 


206. DERNIERES FEUILLES. Lztching. 
Signed in pencil,—A. Lepére, 2/5 H. T. SUPERB IMPRESSION, on French 


2) paper, in perfect condition. There were 5 impressions in this ‘Hors 
6 


Tirage’ edition. 
bet 


Height, 6%; length, 113% inches. 
[See Illustration] 


Vaan 


Sermo 


af 
sof 


eee 


ee ee 


RT 


see 


2-¢- 


j 
4 


bP BA tecscsir 


~ 


AUGUSTE LEPERE 


DERNIERES FEUILLES 


[No. 206] 


MeceGuirer-Bonnd-Retpd Cortina 


First Session, Wednesday Evening, November 15th 


LEPERE, AUGUSTE 


207. L’ARC EN CIEL. Etching. 
Signed in pencil,—A. Lepére rst St. 4%. VERY FINE IMPRESSION, on Dutch 


DF 40 RA paper, in perfect condition. 
Oo” Height, 6; length, 87% inches. 


LEPERE, AUGUSTE 


208. La CATHEDRALE D’AMIENS. Ltching. 
Signed in pencil,—A. Lepére. VERY FINE IMPRESSION, on Japan paper, 
| in perfect condition. : 
i 0) , Height, 1334; width, 9% inches. 
[See Illustration] 


‘This picture dates itself by the episode that the venerable monument sees unrolling 
before it; on the “‘place,”’ covered as if by a trailing scarf of limpid shadow, one 
follows the expressive pantomine of an agitated crowd, protesting with arms 
raised to heaven; behind the groups in the brightness of the joyous sun the 
cathedral raises its tall facade.’-—CLAUDE ROGER-Marx—‘‘Gazette des Beaux 
Arts,’’ 1908. 


LEPERE, AUGUSTE 


209. LA MasureE INONDEE. Etching. 
/ Signed in pencil,—A. Lepére, 17/50. VERY FINE IMPRESSION, in perfect 
Jeo condition. 
Height, 658; length, 1138 inches. 


LEPERE, AUGUSTE 
210. LA ROUTE DE St. GILLEs. Etching. 


St / Signed in pencil,—A. Lepére, 3rd Et. 3/5. SUPERB IMPRESSION, on Japan 
‘ . f ° tans . a ¥ é 
Bl ks: paper, in perfect condition. There were 5 impressions in this state. 

Vv Height, 9; length, 11% inches. 


LEPERE, AUGUSTE 

211. LA SEINE AU Pont NATIONALE. Etching and Aquatint. ; 
Signed in pencil,—A. Lepére, 12/50. VERY FINE IMPRESSION, on Dutch 
ri \) < paper, in perfect condition. 
Joh eas Height, 534; length, 8% inches. 


LEPERE, AUGUSTE 


212, LA SEINE, PRES DU CANAL St. MarTIN AU Pont p’AUSTERLITZ. Etching. 
Ves Signed in pencil,—A. Lepére, 2nd, Etat. BEAUTIFUL IMPRESSION, in per- 
fect condition. There were only 7 impressions in this state. 
ae Height, 534; length, 10 inches. : 
Sy, From the Petitdidier Collection. 


LEPERE, AUGUSTE 


213. LA VIEILLE PASSERELLE. Lfching. 
Signed in pencil,—A. Lepére, rst, Et. 3/9. Very FINE IMPRESSION, on 


is Japan paper, in perfect condition. There were only 9 impressions in 
Jf? ? this state. 


Height, 714; length, 94 inches. 


AUGUSTE LEPERE 
La CATHEDRALE D’ AMIENS 


os 


[No. 208] 


McGuirnete-Bonv-RE1D COLD 


First Session, Wednesday Evening, November 15th 


LEPERE, AUGUSTE 
214. LA VIEILLE PASSERELLE. FEiching. 
¢e Signed in pencil,—A. Lepére, 17/50. VERY FINE IMPRESSION, on Dutch 
DY wf. paper, in perfect condition. 
Height, 74; length, 9) inches. 


LEPERE, AUGUSTE 
215. Le PETIT GARDEUR DE VACHES. Etching. 
( ods Signed in pencil,—A. Lepére, 11/35. FINE IMPRESSION, on Japan paper, 
a So in perfect condition. There were 35 impressions in this state. 
Height, 376; length, 9% inches. 


LEPERE, AUGUSTE 
216. LE Pont AU B&GUINAGE A BrucEs. Etching. 
Signed in pencil,—A. Lepére, 10/20. FINE IMPRESSION, on Japan paper, 
st in perfect condition. There were 20 impressions in this state. 
} > Height, 5; length, 536 inches. 


LEPERE, AUGUSTE 
217. Nip DE PAUvRE. Etching. 
“A / Signed in pencil,—A. Lepére, 9/35. VERY FINE Impression, on Dutch 
S paper, in perfect condition. 


Height, 634; length, 956 inches. 


LEPERE, AUGUSTE 


4) 218. RHEIMS CATHEDRAL. Etching. | 
et > Signed in pencil,—A. Lepére. VERY FINE ImpRESSION, in black ink on 


Dutch paper, in perfect condition. 
Height, 1444; width, 1078 inches, 
[See Illustration] 


_ LEPERE, AUGUSTE 
/ 219. Rue MontalGNE, ST. ETIENNE, PARIS. Etching. 
Signed in pencil,—A. Lepére. FINE IMPRESSION, on Japan paper, in per- 


HO : fect condition. 


Height, 9; width, 434 inches. 


LEPERE, AUGUSTE 
220. Sous Bois LA RIGONETTE. Liching. 
Signed in pencil,—A. Lepére, 22/35. VERY FINE IMPRESSION, on Japan 
paper, in perfect condition. 
Height, 734; length, 1034 inches. 


LEPERE, AUGUSTE 
221. SOUVENIR ST. DENIS. LEiching. 
Signed in pencil,—A. Lepére, 33 /50. Good impression, in perfect condition. 
Height, 6; width, 434 inches. 


AUGUSTE LEPERE 


RueEtms CATHEDRAL 


. 218] 


[No 


oe 


McGuirre-Bonvd-REID COLD Gae 


First Session, Wednesday Evening, November 15th 


LEPERE, AUGUSTE 


222. ViEILLES Maisons A AMIENS. Lfching. 
Signed in pencil,—A. Lepére, 2/8—1st, Et. FINE IMPRESSION, in perfect 
condition. There were only 8 impressions in this state. 
Height, 434; length, 734 inches. 


ERNEST LUMSDEN 


Famous contemporary English etcher. 


LUMSDEN, ERNEST 
223. BENARES, No. 3. Etching. 


Signed in pencil,—E. Lumsden, imp. VERY FINE IMPRESSION, on Japan 
paper, in perfect condition. 


Height, 914; length, 1434 inches. 


LUMSDEN, ERNEST 


224. DEAN BRIDGE, EDINBURGH. Eiching. 
Signed in pencil,—Lumsden, imp. FINE IMPRESSION, on Japan paper, 
in perfect condition. 
Height, 8%; width, 6 inches. 


LUMSDEN, ERNEST 


225. PARIS IN CONSTRUCTION, No. 5. Etching. 
Signed in pencil,—Ernest Lumsden, imp. VERY FINE IMPRESSION, on 
Japan paper, in perfect condition. 
Height, 838; width, 5 inches. 


LUMSDEN, ERNEST 
226. St. SULPICE. Etching. 
Signed in pencil,—Ernest Lumsden, imp. FINE IMPRESSION, on Japan 


paper, margins slightly foxed. 
Height, 714; width, 3% inches. 


DONALD SHAW MacLAUGHLAN 


Contemporary American etcher. Born in Canada in 1876; living abroad. 


MacLAUGHLAN, DONALD SHAW 


227. SONG FROM VENICE, No. 1. Etching. 
Signed in pencil,—D. Shaw MacLaughlan, VERY FINE IMPRESSION, in 
perfect condition. 
Height, 934; length, 117 inches. 


MacLAUGHLAN, DONALD SHAW 


228. VENETIAN NOONTIDE. Etching. 
Signed in pencil,—D. Shaw MacLaughlan. VERY FINE IMPRESSION, in 
perfect condition. 
Height, 914; length, 114 inches. 


At THE AMERICAN ART GALLERIES 


THE MADISON AVENUE BLOCK 


56TH TO 57TH STREETS 
ENTRANCE, 30 EAST §7TH STREET, NEW YORK CITY 


UNRESTRICTED PUBLIC SALE OF 
SUPERB IMPRESSIONS OF NOTABLE ETCHINGS 
MCGUIRE-BOND-REID AND OTHER COLLECTIONS 


Second Session, Numbers 229 to 476, inclusive 
THURSDAY EVENING, NOVEMBER 16TH, AT 8:15 O’CLOCK 


JAMES McBEY 


Celebrated contemporary Scotch etcher. 


McBEY, JAMES 


229. ALBERT. Etching. 
© Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
°7 in perfect condition. Proof, marked A 15. 
ye ’ Height, 6; length, 97% inches. 


McBEY, JAMES 
230. APPROACH TO TETUAN. Etching. 


. Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
4 T4 perfect condition. Proof, marked XLX. 
RY: Height, 5%; length, 976 inches. 


McBEY, JAMES 


231. APRIL Day IN KENT. Etching and Drypoint. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 


o° in perfect condition. Proof, marked XXXIV. 
(,% 4 Height, 614; length, 113 inches. 


McBEY, JAMES 
232. AMSTERDAM FROM RunsporP. Fiching. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
@ in perfect condition. Proof, marked XX XIX. 
Ait Height, 47; length, 876 inches. 


McGuireEe-Bond-REID COLD Ree 


Second Session, Thursday Evening, November 16th 


McBEY, JAMES 
233. AVILA, SPAIN. Hiching. 


° Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
7 er in perfect condition. Proof, marked J. RARE. 
. Height, 678; length, 11 inches. 


McBEY, JAMES 


234. A DESERTED Oasis. Eféching. 
ra) Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
& ; Rae 
a ip” in perfect condition. Proof, marked A 4. 
} ~ * Height, 614; length, 103 inches. 


McBEY, JAMES 
235. A Fierce Buti. Etching. 


o? Signed in ink,—James McBey. SUPERB IMPRESSION, on French paper, in 
Fe, perfect condition. Proof, marked V. RARE. 
Yo ; Height, 534; length, 8 inches. ; 
McBEY, JAMES 
236. A Mippay Hatt. Etching. 
o Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
7 perfect condition. Proof, marked A 4. . 
ph oO. Height, 7; length, 127% inches. 
McBEY, JAMES 
237. A NORFOLK VILLAGE. Etching. 
.? Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
7 perfect condition. Proof, marked XLVIJIJ. 
| +e Height, 534; length, 8% inches. ap} 


McBEY, JAMES 


238. A NorMAN Port. Drypovnt. 
Signed in ink,—James McBey. BEAUTIFUL IMPRESSION, on French paper, 


‘ 


ay in perfect condition. Proof, marked XX. 
’ Height, 634; length, 143 inches. 
| 


McBEY, JAMES 


239. A VOLENDAM GIRL. Etching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
y o, perfect condition. | 
5 ». Height, 7; width, 4% inches. 


McBEY, JAMES 


240. BENICARLO. Etching. | 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper. 

ye? in perfect condition. Proof, marked X. 
\f? .~ — Height, 45%; length, 834 inches. 


NMVQ 


Add SHINVE 


MeceGurIRE-Bond-REID COLLECTIONS 


Second Session, Thursday Evening, November 16th 


241. Boys FIsHING. Fiching. 


co Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
ar in perfect condition. Proof, marked X. 
is Oo Height, 614; width, 434 inches. 


McBEY, JAMES 


242. BREAD MARKET, TETUAN. Fiching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
o? perfect condition. Proof, marked XXJI/I. 
< 5 & — Height, 614; length, 1076 inches. 


McBEY, JAMES 
243. BRIGHTLINGSEA. Etching. 


A Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 


ne perfect condition. Proof, marked A 2o. 
fO- Height, 734; length, 1178 inches. 


s é 


: 


McBEY, JAMES 


244. CARPENTER OF HESDIN. Drypoint. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
Be by in perfect condition. Proof, marked A 16. ~ 
} H 4 Height, 778; length, 117 inches. 


McBEY, JAMES 


245. COWGATE, EDINBURGH. Etching. 
< Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
oF perfect condition. Proof, marked XXJJJ. 
“gc Height, 8; width, 5 inches. 


McBEY, JAMES 


eo} 246. DAWN—THE CAMEL PATROL SETTING OuT. Eiching. ; 
ne fe Signed in ink,—James McBey. VERY FINE ImprREssIon, on French paper, 
in perfect condition. Proof, marked A 4. 
Height, 876; length, 15 inches. 


4 9" 
5 i ale [See Illustration] 


“Certainly Dawn—Camel Patrol Setting Out, the first of the new series, must take a 
leading place among the artist’s masterpieces, and I shall be surprised if it does 
not win its way among the classics of the art. For here is a rare perfection | 
of artistic unity and harmony with actuality of impression, appealing to the 
imagination with the very expression of the scene. ‘I can smell the desert in it,’ 
said a distinguished soldier-artist to me, as he took the print in his hands and 
the magic of the etcher’s lines lured his imagination back to the desert sands.’’— 
M.S., in ‘‘Charm of the Etcher’s Art.” 


McBEY, JAMES 


247. EBBESFLEET. Fiching and Drypotnt. 
Signed in ink,—James McBey. Fine Impression, on French paper, in 
9° perfect condition. Proof, marked XXXVI. 
, ¢ ne Height, 734; length, 117% inches. 


JAMES McBEY 
Evy CATHEDRAL AT NIGHT 


[No. 249] 


MeGuitrReEe-Bonpd-REID COLD eto. 


Second Session, Thursday Evening, November 16th 


McBEY, JAMES 


248. EpINBURGH CASTLE. Ftching. 
= Signed in ink,—James McBey.. Good impression, on French paper, in 
x vf” perfect condition. Proof, marked XIV. 
J Height, 6; length, 7 inches. 


McBEY, JAMES 


S 249. ELy CATHEDRAL, Nicut. Liching. 
Sy Signed in ink,—James McBey. VERY FINE ImpREssION, on French paper, 
in perfect condition. Proof, marked A 14. 


fr? | Height, 1134; width, 8 inches. 
“6 afl 
yy : hal [See Illustration] 


McBEY, JAMES 
250. “1588.” Etching. 


°°? Signed in ink,—James McBey. VERY FINE ImprREssION, on French paper, 
i on a in perfect condition. Proof, marked V. First State. 


Height, 738; length, 12 inches. 


McBEY, JAMES 


251. “1588.” Etching. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
ys in perfect condition. Proof, marked XLIJI. 
oy Height, 738; length, 117 inches. 
8 ~ “The sea, almost, so to speak, his native element, is a strong and generally sad 
[ influence, and in the very original 1588 . . . we have a remarkably suggestive 
impression of the bleak, rocky, unfriendliness of the Aberdeen coast. And here 
the artist’s imaginative vision is vividly expressed, for on these very rocks of 
Collieston, close to Mr. McBey’s birthplace, a Spanish Armada ship was wrecked 
three hundred and twenty-five years ago.”’—M. S., in ‘‘The Studio,” 1913 


McBEY, JAMES 
252. FLOOD IN THE FENS. Etching. 


oon Signed in ink,—James McBey. FINE Impression, on French paper, in 


y : perfect condition. Proof, marked A 2o. 
Height, 676; length, 1238 inches. 


McBEY, JAMES 


253. FounTAIN, HoLtyroop. Ftching. 


Signed in pencil,—James McBey. FINE IMpREsSION, on Dutch paper, in 
o* perfect condition. 


4, G eS Height, 334; length, 576 inches. 


McBEY, JAMES 
254. FOVERAN Burn. Liching. 


Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
2. perfect condition. Proof, marked 1. 
ae 4 Height, 614; length, 11 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


McBEY, JAMES 
255. FRANCAIS INCONNU. Liching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
- perfect condition. Proof, marked A 15. 
a? ¢ Height, 6; length, 10 inches. 


McBEY, JAMES 
256. FRANCE AT THE FURNACES. Drypoint. 
° Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
- in perfect condition. Proof, marked A 16. 
E os Height, 878; length, 1478 inches. 


McBEY, JAMES 
257. GUNSMITH, TETUAN. Fiching. 
e Signed in ink,—James McBey. Good impression, on French paper, in 
A : perfect condition. Proof, marked XX VI. 
aie Height, 5; length, 778 inches. 


McBEY, JAMES | 
258. HAARLEM. Eiching. | 
©? Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
g : Og perfect condition. Proof, marked XX V. 
G Height, 434; length, 614 inches. 


McBEY, JAMES 


259. IsLte or Ey. Liéching. | 
e Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
LF perfect condition. Proof, marked XLVI. 
$ Height, 8%; length, 133 inches. 


McBEY, JAMES 


260. IsLE oF ELy. Ltching. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 


? 
4% o/ in perfect condition. Proof, marked A 16. 
\2 Height, 81; length, 133% inches. 


McBEY, JAMES 
261. James McBry in His Srupio. Liching. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
0% in perfect condition. Proof, marked XXIV. 
(, : Height, 634; length, 11 inches. 


McBEY, JAMES 
262. LITTLE FISHMARKET, STONEHAVEN. Liching. 
Signed in ink,—James McBey. SuPERB IMPRESSION, on French paper, in 
perfect condition. Proof, marked XXXVI. 
2 Height, 658; length, 1034 inches. 


a 


McGutRe-BonvdD-REID CO LDH eae 


Second Session, Thursday Evening, November 16th 


McBEY, JAMES 
263. LITTLE FISHMARKET, STONEHAVEN. Etching. 


. Signed in ink,—James McBey. FINE ImpREsSION, on French paper, in 


vy perfect condition. Proof, marked VIII. 
29 Height, 634; length, 1034 inches. 
\ 


McBEY, JAMES 


264. Locyarp, Hoorn. Liéching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 


o perfect condition. Proof, marked No. 1. VERY Rare. Probably only 
nif °, 2 impressions. 
y 2 Height, 5; length, 8% inches. 


McBEY, JAMES 


265. Macpurr. Eéching. . 
s Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
Nr in perfect condition. Proof, marked A 20. 
| Ko Height, 1174; width, 714 inches. 


McBEY, JAMES 


266. Marcor Aas Lopokova. Drypoint. 
y Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
Zp perfect condition. Proof, marked XX XJ. 
Height, 1178; width, 836 inches. 


\ 


McBEY, JAMES 


267. Moonticut Attack. Etching. 
Signed in ink,—James McBey. Good impression, on green paper, in per- 
4 7 fect condition. Proof, marked A 15. 
2: Height, 878; length, 1534 inches. 


McBEY, JAMES 


268. MOONLIGHT IN THE Woops. Etching. 
pie ¢. Signed in pencil,—James McBey. FINE IMPRESSION, in perfect condition. 
Qo» Height, 314; length, 57 inches. 


‘McBEY, JAMES 


269. Moray Firtu. Etching. 

Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
— in perfect condition. Proof, marked D. 

Height, 9; length, 141% inches. 


[See Illustration] 


‘And at least two of these plates, I say unhesitatingly, are masterpieces. The 
Moray Firth is sheer delight . . . It isa sunny day and the calm sea is studded 
with fishing boats carrying the eye far out over the watery expanse, while the 
flight of two kites gives a sense of movement in aérial space. With vivid draughts- 
manship the interest of this movement is concentrated chiefly on the tense figure 
of the boy, sitting apart from the rest, tugging at the kite-line. The children, all 
drawn with joyous and spontaneous naturalness, are most felicitously placed in 
the design.’”’ M S., in ‘“‘The Studio,’”’ 1915. 


JAMES McBEY 


Moray Firtu 


McGuirE-Bonvd-REID COLLECTIONS 
Second Session, Thursday Evening, November 16th 


McBEY, JAMES 
270. MORNING, CATTERLINE. Etching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 


ss perfect condition. Proof, marked CLX. 
¥ (4 te Height, 5; length, 9 inches. 


McBEY, JAMES 
271. Moroccan Market. Etching. 


Signed in ink,—James McBey. FINE ImpREsSION, on French paper, in 
ae perfect condition. Proof, marked XX. 
“DP * Height, 6; length, 11 inches. 


o? 


McBEY, JAMES 
272. NEWBURGH. Fiching. 
Signed in ink,—James McBey. VERY FINE IMpPREsSION, on French paper, 
lower right corner slightly stained. Proof, marked X. 


/ 
oP ‘ \e- Height, 74; length, 11) inches. 


McBEY JAMES 
273. NortH BripGE, EDINBURGH. Eiching. 
J Signed in pencil,—James McBey. Good impression, on French paper, 
QO: in perfect condition. 
W Height, 434; length, 77 inches. 


McBEY, JAMES 
274. ON THE Towy, CARMARTHEN, WAbES. Etching. 
9° Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
§ 7 perfect condition. Proof, marked XX VJJ. | 
6 Height, 57; length, 8 inches. 


McBEY, JAMES 


275. ON THE YTHAN. Etching. 
( PS Signed in pencil,—James McBey. FINE IMPRESSION, in perfect condition. 
ho ES St 
Height, 454; length, 57 inches. 


i 


McBEY, JAMES 


276. OVATION TO THE MATADOR. Fching. | 

Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
in perfect condition. Proof, marked XXX. RARE. 

Height, 1014; width, 67 inches. 


[See Illustration] 


McBEY, JAMES 


277. PICADOR INCITES THE BULL. Etching and Drypoint. 
Signed in ink,—James McBey. FINE ImpREsSION, on French paper, in 
' perfect condition. Proof, marked XXVIII. 
/ Height, 638; length, 934 inches. 


JAMES McBEY 
OVATION TO THE MATADOR 


[No. 276] 


Fsesiesia oa eg eee ocr 


McGuirRE-Bond-REID COLLECTIONS 


Second Session, Thursday Evening, November 16th 


McBEY, JAMES 


278. Ras EL AIN. Etching. 
° Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 


Bg oe perfect condition. Proof, marked A 4. 
/) oO’ Height, 778; length, 127% inches. 


McBEY, JAMES 


279. RICHBOROUGH CASTLE. Drypo7nt. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 


a ee in perfect condition. Proof, marked JJ. 
| (eo _ # Height, 7; length, 11% inches. 


Yer” 


McBEY, JAMES 
280. St. MARTIN’s BRIDGE, TOLEDO. Etching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
pS perfect condition. Proof, marked XVII. 
o Height, 67%; length, 107 inches. 
< “That his way is the happiest etcher’s way, seeing his sketch vital in essentials and 


”? * . 
reg expressing it with the most interesting economy of means, may be seen in his 
engaging impression of the Bridge of San Martin, Toledo.’’—HotmE—‘‘Modern 


Etchings, Mezzotints and Dry-points.” 


McBEY, JAMES 
281. SEA AND RAIN, MAcbuFF. Ftching. 
Signed in ink,—James McBey. GOOD IMPRESSION, on French paper, in 
perfect condition. Proof, marked XLVIJI. | 


o Height, 6348; length, 8% inches. 


/ Tf “This tendency to excessive and wayward freedom of line one finds also . . . in 
»: the troubled waters of that remarkable little plate Sea and Rain, a subject, or 
rather impression, that few etchers would have the courage to essay.’’—M. S., 


in “The Studio,” July, 1915. 


McBEY, JAMES 


282. SPRING 1917. Etching and Drypoint. 
Signed in ink,—James McBey. VERY FINE ImpREsSION, on French paper, 


oY in perfect condition. Proof, marked A 16. 
fs Ws Height, 84%; length, 13% inches. 


McBEY, JAMES 
283. STONEHAVEN. Etching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
. perfect condition. Proof, marked XLVIIJ. 
“ Height, 5%; length, 7% inches. 
ce 


\ 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


McBEY, JAMES 


284. STRANGE SIGNALS. Liching. 
Signed in ink,—James McBey. FINE Impression, on French paper, in 
perfect condition. Proof, marked A 3. 

Height, 834; length, 1534 inches. 3 

“The spontaneity of impression we find also in Strange Signals, one of the twenty- 
' four drawings selected to illustrate ‘‘Desert Campaigns.”’ . . . The curved necks 
of thecamels . . . lend themselves, with their sun swart, bush-trained, Australian 
riders on their humps, artistically to rhythmic design, while the scene, with its 
immense sandy distance, is suffused with hot sunshine. What is it that these 
men are straining their keen eyes to detect upon the palpitating horizon? The 
tiny film, apparently of smoke, that they see may be Bedouins, it may be only 
| mirage.’’—M. S., in ‘‘The Studio,’’ March, 1918. 


McBEY, JAMES 


285. SUNSET, WADI-UN-MUKHSHEIB. Fiching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
} perfect condition. Proof, marked A 4. 
Ve . Height, 7; length, 13 inches. 


McBEY, JAMES 


286. SURREY Downs. Etching. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
o% in perfect condition. Proof, marked A 20. 
o' Height, 67%; length, 10 inches. 


cBEY, JAMES 
287. THANET FROM RICHBOROUGH. Drypozint. 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 


in perfect condition. Proof, marked X XJ. 
Jo ait Height, 534; length, 1134 inches. 


McBEY, JAMES | 
288. Tue AMSTEL. Etching. , 
y Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
Sek al in perfect condition. Proof, marked XXVIII. 
4 5° Height, 4; length, 7 inches. 


McBEY, JAMES 
289. THE Beccars, TETUAN. Etching. 3 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
in perfect condition. 


0? 
[8.7 Height, 634; width, 514 inches. 


McBEY, JAMES 
290. THE CruciFIxX, BOULOGNE. Etching. 
Signed in ink,—James McBey. SUPERB IMPRESSION, on French paper, in 
sy ___ perfect condition. Proof, marked A 3. 
/ f Height, 6; length, 8 inches. — 


x 


McGuiIire-Bonvd-REID COLD 


Second Session, Thursday Evening, November 16th 


McBEY, JAMES 


291. THE CRruUCIFIx, BOULOGNE. Etching. | 
>? Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 


0.5 .* in perfect condition. . Proof, marked A 1. 
Height, 6; length, 8 inches. 


McBEY, JAMES 

292. THE DESERT OF SINAI. Etching. . 
Signed in ink, James McBey. FINE Impression, on French paper, in 

perfect condition. Proof, marked A 3. 
oY Height, 77%; length, 1334 inches. 
ef SO “In the Desert of Sinai the artist has contrived his lines with a severe simplicity, 
) for here he has to suggest arid hills of blowing sand over which the patrol is 
making its slow progress. It is the line of the Turkish retreat after the disastrous 
attack on the Canal the year before, of which occasional skeletons are traces.’’— 
M. S., in ‘‘Charm of the Etcher’s Art.” 


McBEY, JAMES 


293. THE GATE, TETUAN. Efching. 
Signed in ink,—James McBey. FINE ImpREssION, on French paper, in 


oo perfect condition. Proof, marked L. 


Fa 
so Height, 9; width, 524 inches. 


McBEY, JAMES 


294. THE GATE, TETUAN. Eiching. 
Signed in ink,—James McBey. FINE Impression, on French paper, in 


a v perfect condition. Proof, marked X VJJ. 
ae H . Height, 87%; width, 5% inches. 


McBEY, JAMES 


295. THE JEWISH QUARTER, TETUAN. FEfching. . . 
Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 


o” in perfect condition. Proof, marked XXXIX. 
5 O- — Height, 714; length, 10 inches. ' 


McBEY, JAMES 


296. THE LIoN BREWERY. Etching. 
Signed in ink—James McBey., SUPERB IMPRESSION, on French paper, in 


0° perfect condition. Proof, marked XXJJJ. 
7 Height, 1138; width, 8% inches. 


/ © ' . 
re 1 [See Illustration] 
) “May 5, 1914. Up to the present Amsterdam from Runsdorp, The Lion Brewery, 
and The Torpedoed Sussex are his three most important plates.’-—T. SiMPSON. 
‘‘Modern Etchings and their Collectors,”’ 1919. ‘ 


McBEY, JAMES 


297. THE Marcu ON JERUSALEM. Etching. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 


7 7 perfect condition. Proof, marked A 6. 
a: 5 Height, 8; length, 13% inches. 


JAMES McBEY | 
Lion BREWERY 
[No. 296] 


a 


\ 


McGuitire-Bond-RBID. COLL BO poe 


Second Session, Thursday Evening, November 16th 


McBEY, JAMES 


298. THE ORANGE SELLER, TETUAN. LEiching. 
Signed in ink,—James McBey. FINE ImprREssION, on French paper, in 
a 3 _ perfect condition. Proof, marked X VJ. 
X O77 a Height, 538; length, 97% inches. 


McBEY, JAMES 


299. THE PICADOR UNHORSED. Drypozint. 
oe Signed in ink,—James McBey. SUPERB IMPRESSION, on French paper, in 


Pe eee perfect condition. 
\ AAS \c Height, 634; length, 934 inches. 


McBEY, JAMES 
300. THE Poo. FEiching. e 
>. signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
? y in perfect condition. Proof, marked XX1X. 
ee y oO Height, 9%; length, 141% inches. 
[See Illustration] 


McBEY, JAMES 


301. THE SEINE AT ROUEN. Etching. 
Signed in ink—James McBey. FINE IMPRESSION, on French paper, in 
et Be Wi perfect condition. Proof, marked A>. 
| Ov Height, 6; length, 834 inches. 


McBEY, JAMES 
302. THE SHOWER. Drypoznt. 
_ Signed in ink,—James McBey. VERY FINE IMPRESSION, on French paper, 
i eee in perfect condition. Proof, marked XXX. 
3 \ eight, 714; length, 121% inches. 
ANN 
McBEY, JAMES 
303. THE SKYLARK. Eiching. 
Signed in ink,—James McBey. VERY FINE IMpREsSION, on French paper, 
~ 6" in perfect condition. Proof, marked XX1X. 
} @?° Height, 634; length, 117 inches. 
u 


i) 


ft 


McBEY, JAMES 
304. THE SOMME Front. Etching and Drypoint. 
e Signed in ink,—James McBey. VERY FINE IMPRESSION, on French 


Oo. °7 paper, in perfect condition. Proof, marked A 15. 
] Height, 654; length, 1436 inches. 


»| McBEY, JAMES 


9 305. THE SToRY TELLER. Eiching. 
a Signed in ink,—James McBey. SUPERB IMPRESSION, on French paper, in 
an? perfect condition. Proof, marked XXXII. 
Vv Height, 654; length, 113 inches. 


aN 


[00g “ONT 
Toog FHI, 


AGMW SANVE 


ee ees 
¢ 


a 


er ——————e———eeseeee 


McGuiIirE-Bonvd-REID COLDS Ge 
MC UUILRE- DON Be 2 eee 


Second Session, Thursday Evening, November 16th 


McBEY, JAMES 


306. THE SURRENDER OF JERUSALEM. Eiching. 
Signed in ink,—James McBey. VERY FINE IMPREsSION, on French paper, 


08% in perfect condition. Proof, marked A 8. 
| © o° Height, 878; length, 1536 inches. 


McBEY, JAMES 


307. THE TIMBER: MILL. Etching. | 
2 Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 
G La" perfect condition. Proof, marked A 1. 
k ; Height, 6; length, 914 inches. 


McBEY, JAMES 


308. THE TORPEDOED “SUSSEX” BEACHED AT BOULOGNE. itching and Drypoint. 
Signed in ink,—James McBey. FINE IMPRESSION, on French paper, in 

)fo seit perfect condition. Proof, marked A 2. 

© Height, 814; length, 1534 inches. 


McBEY, JAMES 


309. THE TORPEDOED “SUSSEX”? BEACHED AT BOULOGNE. Liching and Drypoint. 
Signed in ink,—James McBey. SUPERB IMPRESSION, on French paper, in 
perfect condition. Proof, marked A 17. 
Height, 814; length, 15 inches. 


[See Illustration] 


CHARLES MERYON 


Celebrated French etcher. Born in Paris in 1821; died there in 1868. “‘But we 
must turn now toa great poet-etcher, one of the greatest masters that the copper 
plate has ever known and one of the most tragic and piteous figures in the history 

of art. When Charles Meryon after his sea-wanderings and his failure as a 
painter, found his true vocation with needle and mordaunt, his strange and 
weird genius, haunted by the mysterious beauty that the centuries had stamped 
upon Paris, expressed itself through an artistic record of her old buildings that 
was soundly while imaginatively picturesque, yet personally reflective to an extra- F 
ordinary degree.’-—MALCOLMB SALAMAN. 


MERYON, CHARLES 


310. LA RUE DES CHANTRES, Paris. LEéching. 
Delteil, No. 42. Fifth State of five. VERY FINE IMPRESSION, on French 
paper, in perfect condition. 
Height, 1134; width, 434 inches. 
From the M. Neil Thibaudeau and MacGeorge Collections. 


MERYON, CHARLES 


311. PARTIE DE LA Cité VERS LA FIN pu XVII SiEcLE. Etching. 

Delteil, No. 51. Eighth State of eight. FINE IMPRESSION, with the in- 
scription, on French paper, in perfect condition. On lower margin in 
Meryon’s handwriting is,—‘‘20 Epreuves avant la lettre—1oo Epreuves 
avec la lettre—la planche détruite. J'ai choisi lorsqu’al n’y en avait encore 
que g vendus.”’ 

Height, 5%; length, 11% inches. 


[60g ‘ON ] 
XassonG,, dHodddyo |, AHI, 


AGW SHAVE 


ee 


McGutirte-Bond-REID CO Lita 


Second Session, Thursday Evening, November 16th 


CHARLES F. W. MIELATZ 


Born in Breddin, Germany, 1864; died in New York, 1919. 


MIELATZ, CHARLES F. W. 
312. CHURCH IN FLAMES, MoorEsFIELD. RHODE ISLAND. Etching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 778; width, 4 inches. 


MIELATZ, CHARLES F, W. 
313. MorNING ConanicuT IsLANpD. Efching. 
Signed in pencil,—Mielatz, imp. VERY FINE IMPRESSION, on Japan paper, 
in perfect condition. 
Height, 734; length, 1034 inches. 


MIELATZ, CHARLES F. W. 
314. NEAR SouTH FERRY, EAsT RIvER, NEw York City. Etching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 10; width, 67% inches. : 


MIELATZ, CHARLES F. W. 
315. OL_p Custom House, NEw York City. Etching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 1178; width, 714 inches. 


MIELATZ, CHARLES F, W. 
316. SHEEP IN PASTURE. Liching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Marked by the artist, Third State, two proofs taken. 
Height, 854; length, 13 inches. 


MIELATZ, CHARLES F, W. 7 
317. THE SPAR YARD, NEw York City. Liching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
_ Marked by the artist, Furst State. 
Height, 958; length, 1334 inches. 


MIELATZ, CHARGES FW, 
318. OLD TRINITY, STATEN ISLAND, N. Y. Etching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Marked by the artist, Ferst State. 
Height, 778; width, 5 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of thos catalogue 


MIBLATZ, CHARLES F. W. 


319. THE WitcH House, SALEM, Massacuusetts. Fiching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 978; width, 67 inches. 


MEATS CHARLES: F. W. 


320. West WASHINGTON MARKET, NEW York City. Eiching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Marked by the artist, Third State. 
Height, 91%; width, 656 inches. 


JEAN FRANCOIS MILLET 


Born in the little village of Gruchy, on the Norman coast, October 4, 1814. 
Died at Barbizon, January 20, 1875. 


MILLET, JEAN-FRANCOIS 


321. PEASANT WITH A WHEELBARROW. Liching. 
Delteil, No. rz. Fourth State of four. Signed in the plate,—J. F. Mullet. 
VERY FINE IMPRESSION, in black ink on French paper, in perfect con- 
dition. 
Height, 614; width, 534 inches. 


MILLET, JEAN-FRANCOIS 
322. THE WooL Carver. FEiching. 
Delteil, No. 15. Only State. VERY FINE ImprREssION, in brown ink on 
Japan paper, in perfect condition. 
Height, 101; width, 678 inches. 


_MILLET, JEAN-FRANCOIS 
323. WoMAN FEEDING HER CuILp. Liching. 
Delteil, No. 17. Third State. SuPERB IMPRESSION, printed in black ink 
on India paper, in perfect condition. 
Height, 814; width 6% inches. 
“His finest plates are surely the Going to Work, and especially the Woman Feeding 
her Child.”’—H. W. SINGER, Die Moderne Graphik. 


Millet’s daughter, Mme. Heymann, and her child, served as models for this com- 
position. 


MILLET, JEAN-FRANCOIS 
324. THE SHEPHERDESS SEATED. Woodcut. 
Delteil, No. 33. Second State of two. Signed on the block,—J. F. Mullet. 
Good impression, in perfect condition. 
Height, 1034; width, 8% inches. 


McGuirE-Bonvd-REID COLLECTIONS 


Second Session, Thursday Evening, November 16th 


ROBERT NANTEUIL 
1623-1678 


Born in Reims; died in Paris. 

The most important of the French portrait engravers of all centuries. Pupil 
of N. Regnesson, whose sister he married when he was only 17. His portraits 
from life are his best works and among them those of Louis XIV. 


NANTEUIL, ROBERT 


325. POMPONE DE BELLIEVRE. Line-Engraving. 
Robert Dumesnil,—37. Carolus le Brun pinxit,—Robertus Nanteuil Scul- 
pebat. Good impression, cut down to outer circle of portrait and re- 
mounted inside this old border. 3 
Height, 1278; width, 97 inches. 


NANTEUIL, ROBERT 


326. CHARLES OF LoRRAINE. Line-Engraving. 
Robert Dumesnil, No. 63. Nanteuil ad viuum faciebat 1660. Good im- 


pression, in perfect condition. 
Height, 13; width, 10 inches. 


NANTEUIL, ROBERT 


327. MICHEL LE TELLIER (MINISTRE D’ETAT). Line-Engraving. 
Robert Dumesnil, No. 131. Only State. Nanteuil ad viuum del. et sculpe 
bat 20, Juny. An 1659. FINE IMPRESSION, in perfect condition. 


Height, 1414; width, 1034 inches. 


NAPOLEON I. 
Emperor of the French 


# 


328. NAPOLEON BUONAPARTE. Stipple. 
David pinxt.,—Godby sculpt.,—Published March ist, 1815, by Edwd. 
Orme, Bond Street corner of Brook Street. FINE IMPRESSION, with the 


inscription, small margins. 
Height, 934; width, 838 inches. 


SAMUEL PALMER 


Born January 27, 1805, In 1850 elected member of the Etching-Club. 


PALMER, SAMUEL 


329. THE MORNING OF LIFE. Etching. 
Signed in pencil,—Samuel Palmer. VERY FINE IMPRESSION, plate mark 
slightly cracked and rubbed, otherwise in fine condition. 


Height, 538; length, 8 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


JOSEPH PENNELL 


Celebrated American illustrator, etcher and lithographer. Born in Philadelphia 
1860. Asa pupil of the Philadelphia Academy of Fine Arts his unusual talent for 
etching was early recognized. He has won honorable mention and medals at 
Philadelphia, Chicago, Paris, and elsewhere. 


PENNELL, JOSEPH 


330. THE GoTHic Cross, CHARING Cross, Lonpon. Liéching. 
Signed Artist’s Proof. FINE IMPRESSION, printed by the artist, in perfect 
condition. 
Height, 1138; width 7% inches. 


PENNELL, JOSEPH 


331. TOWERS OF THE BisHop’s PALACE, BEAUVAIS. Liching. 
Signed Artist’s Proof. BEAUTIFUL IMPRESSION, printed by the artist, in 
perfect condition. 
Height, 11; width, 85 inches. 


PENNELL, JOSEPH 
332. TOWERS OF SAN GHIMIGNANO. Liching. 


Signed Artist’s Proof. BEAUTIFUL IMPRESSION, in perfect condition. 
Height, 1014; width, 77% inches. 


J. F. RAFFAELLI 


RAPPAELLI, J. F. 
333. A WINTER SUNSET: TUILERIES: ON THE SANDS. Lichings, printed in colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. 
Height, 16; length, 24 inches, and smaller. 
Together, 3 pieces. 


RAFFAELLI, J. F. 


334. CouNnTRY NEIGHBORS: CHEVAL DE PLAINE: THE FaGGoT GATHERER: LE 
Vaccin. Etchings, printed in colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, on Japan paper, in perfect 
condition. 
Height, 458; length, 61% inches, and smaller. 
Together, 4 pieces. 


ReareAweLti J. F. 
335. PLACE DE LA MADELEINE: La SEINE A BEzON: LE Qual DE LA TOURNELLE. 
Etchings, printed in colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, on Japan paper, in perfect 
condition. 
Height, 934; length, 1214 inches, and smaller. 
Together, 3 pieces. 


ne ee EE EEE ESSE SESS ESSE 


McGuirE-Bonvp-RE1I1D COLLECTIONS 
Second Session, Thursday Evening, November 16th 


RAFFAELLI, J. F. 


336. THe Roap: THE POND NEAR THE VILLAGE; WINTER NEAR Paris: RAG 
GATHERER. Etchings, printed in colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, on Japan paper, in perfect 
condition. 
Height, 8; length, 10!4 inches, and smaller. 
Together, 4 pieces. 


RAFFPAELUI, J.-F. 


337. WINTER EVENING: LE ViEUX CHENE. Etchings, printed in colors, 
Signed Artist’s Proofs. FINE Impressions, on Dutch paper, in perfect 
condition. | 
Height, 17%; length, 22 inches. 
Together, 2 pieces. 


REMBRANDT VAN RIJN 


Celebrated Dutch painter and etcher. Born at Leyden in 1607; died at Amster- 
dam in 1669. Pupil of Swanenburch and Lastman, but largely self taught. 
“The opinion among etchers which enthrones] Rembrandt as King of his craft 
is the most recent instance of perfect unanimity among people of all nationalities. 
As we all say that Phidias was the greatest sculptore, Homer the greatest epic 
poet, and Shakespeare the greatest dramatist, so we are all agreed on the world 
wide supremacy of Rembrandt. In his own lines of work there is no one in all 
history to be compared with Rembrandt.’’—P. G. HAMERTON. 


REMBRANDT VAN RIJN 


338. CHRIST AND THE WOMAN OF SAMARIA. Eiching. 
Bartsch, No. 71. First State of two. Signed in the Plate,—Rembrandt, 
1634. VERY FINE IMPRESSION, on old paper, in perfect condition. 
Height, 434; width, 4% inches. 


REMBRANDT VAN RIJN 


339. THE BAPTISM OF THE EunucH. Eiching. 
Bartsch, No. 98. Signed in the plate,—Rembrandt 1541. Good impression, 
corners repaired and stained. 
Height, 7; length, 8) inches. 


f 


REMBRANDT VAN RIJN 


340. ABRAHAM FRANZ. Etching. 
Bartsch, No. 273. Ninth State of nine. Good impression, torn and 
mended in a number of places. 
Height, 614; length, 8% inches. 


REMBRANDT VAN RIJN 


341. PORTRAIT OF COPPENOL. FEiching. 
Bartsch, No. 283. Sixth State of six. Good impression, slightly stained, 
otherwise in good condition. 


Height, 54; width, 54 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


REMBRANDT VAN RIJN 


342. AN OLD WoMAN SLEEPING. Liching. 
Bartsch, No. 350. Only State. VERY FINE IMPRESSION, on fine old paper, 
in perfect condition. 
Height, 234; width, 214% inches. 


WILLIAM P. ROBINS 


Contemporary English etcher. 


ROBINS, WILLIAM P. 


343. CANAL NEAR VOLENDAM. Etching. 
Signed in pencil,— Wm. P. Robins. FINE IMPRESSION, in perfect condition. 
Height, 514; length, 614 inches. 


ROBINS, WILLIAM P. 


344. FISHERMAN’S Huts. Eéching. 
Signed in pencil,— Wm. P. Robins. FINE IMPRESSION, in perfect condition. 
Height, 434; length, 838 inches. 


ROBINS, WILLIAM P. 


345. Hayricks, MIDDLESEX. Etching. 
Signed in pencil,—Wm. P. Robins. FINE IMPRESSION, in perfect condition. 
Height, 4348; length, 63 inches. 


ROBINS, WILLIAM P. 


346. MarsuEes AT LEA Brince. Eiching. 
Signed in pencil—_Wm. P. Robins. FINE IMPRESSION, in perfect condition. 
Height, 414; length, 554 inches. 


BERNHARD SICKERT 


Contemporary English etcher. 


SICKERT, BERNHARD 


347. DORDRECHT: A SHRINE IN GENOA: AMSTERDAM: COAL SHOOT, LIMEHOUSE. 
Etchings. 
FINE IMPRESSIONS, each with pencil dedication,—to Harper Pennington, 
from Bernhard Sickert. 
Height, 8; width, 8 inches, and smaller. 
Together, 4 pieces. 


McGuire-Bonvo-ReEIdD COLDE Gite. 


Second Session, Thursday Evening, November 16th 


T. FRANCOIS SIMON 


Contemporary Bohemian etcher, born at Prague in 1877. 


SIMON, T. FRANCOIS 
348. ALONG THE SEINE: OLD Book SHop: THE ANTIQUE DEALER. Fichings, 
printed in colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. 
Height, 1434; length, 18 inches, and smaller. 


SIMON, T. FRANCOIS 
349. A Ratny Day, Paris: THE BOURSE. Etchings, printed am colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. 
Height, 1334; length, 1734 inches, and smaller. 
Together, 2 pieces. 


SIMON, T. FRANCOIS 
350. QUAI IN WINTER AT THE LOUVRE: ON THE Ouat. . Etchings, printed in colors. 
Signed Artist’s Proofs. FiNE IMPRESSIONS, in perfect condition. 
Height, 1734; width, 14% inches, and smaller. 
Together, 2 pieces. 


FRANK SHORT 


Contemporary English etcher, aquatinter, and mezzotinter. Born at London. 
in 1857. As director of the engraving class at South Kensington, he has had 
an influence on the younger generation in the direction of a greater certainty of 
technique. - 
“Excellent in pure etching and aquatint, Frank Short holds a unique place at 
the present day for his mezzotints.’”’-—A. M. HIND. 


SHORT, FRANK 

351. A SILVER TIDE. Aquatint. 
Signed in pencil,—Frank Short. FINE IMPRESSION, in perfect condition. 
Height, 6; length, 9 inches. 


SHORT, FRANK 
352. BATTERSEA BRIDGE. Aquatint. 
Signed in pencil,—Frank Short. FINE IMPRESSION, in perfect condition. 
Height, 74; length, 1138 inches. 


SHORT, FRANK 
353. MILKING TIME, VOLENDAM. Etching. 
Signed in pencil,—Frank Short. Good impression, in perfect condition. 
Height, 7; length, 87 inches. 


SHORT, FRANK 
454. SOLWAY FisHEers. Mezzotint. 
Signed in pencil,—Frank Short. Good impression, in perfect condition. 
Height, 714; length, 1036 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


SHORT, FRANK 


355. THE ANGLER’S BRIDGE ON THE WANDLE. Etching. 
Signed in pencil,— Frank Short. Good impression, in perfect condition. 
Height, 57%; length, 876 inches. 


SHORT, FRANK 


356. THE BREAKING UP OF THE GREAT EASTERN No. 1. LHiching. 
Signed in pencil,—Fvank Short. Good impression, in perfect condition. 
Height, 6; length, 8 inches. 


SHORT, FRANK 


357. THE CRESCENT Moon. Aquatint. 
Signed in pencil,—Fvank Short. Good impression, in perfect condition. 
Height, 9; length, 115 inches. | 


SHORT, FRANK 
3£8. THE SOLWAY AT Mippay. Etching. 
Signed in pencil,—Frank Short. Good impression, in perfect condition. 
Height, 4; length, 10 inches. 


SHORT, FRANK 


359. Twixt Day AND Dawn. Aquatint. 
Signed in pencil,— Frank Short. VERY FINE IMPRESSION, in perfect con- 
dition. 
Height, 1014; length, 1638 inches. 


WILLIAM STRANG 


Modern English etcher. 


STRANG, WILLIAM 


360. THE FISH STALL. Etching and Drypoint. 


Signed in pencil,—Wm. Strang. FINE IMPRESSION, in perfect condition. 
Height, 878; width, 67% inches. 


STRANG, WILLIAM 


361. THE Nympu. Drypoint. 
Signed in pencil,—Wm. Strang. FINE ImprEssIon, in perfect condition. 
Height, 9; width, 378 inches. 


STRANG, WILLIAM 


362. SERIES OF ILLUSTRATIONS FOR Don QurxorTe. Etchings and Aquatints. 
The Complete Series of Illustrations for ‘‘Don Quixote.’”’ FINE IMPRES- 
SIONS. 
Together, 30 pieces. 


MeGutre-Bonpd-REID CO Deets 


Second Session, Thursday Evening, November 16th 


DAVID TENIERS 


Born at Antwerp in 1582; died in 1649. 


TENIERS, DAVID 


363. COURTYARD OF A Country INN. Etching. 
Dutuit, No.1. First State before added burin work. Signed in the plate,— 
D. Teniers, fec. FINE IMPRESSION, on paper watermarked with the 
Head of Folly, in perfect condition. 
Height, 778; length, 1134 inches. 


FRITZ THAULOW 


THAULOW, FRITZ 
364. THE SEA GuLLs: THE MarBLE STAIRWAY: BRIDGE AT AMIENS. Etchings, 
printed in colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. 
Height, 18; length, 23 inches, and smaller. 
Together, 3 pieces. 


THAULOW, FRITZ 


365. WINTER EVENING: Swans. Etchings, printed im colors. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. 
Height, 1834; length, 2234 inches. Framed. 
Together, 2 pieces. 


JEAN GEORGE VIBERT 


French painter, born at Paris in 1840. 


VIBERT, JEAN GEORGE 
366. A PRETEXT. Wash drawing. : 
Signed in lower right corner,—J. G. Vibert. An original pen-and-wash 


drawing. A beautiful example of this great master, 
Height, 1014; width, 754 inches. Framed. 


LUCAS VAN LEYDEN 


Early German engraver. Born in Leyden in 1494; died in 1533. 


VAN LEYDEN, LUCAS 


367. ABRAHAM DisMISSING HaGar. Engraving. 
Bartsch, No. 18. Signed in the plate with the monogram,—L. Fair im- 
pression, few stains, and upper right corner repaired. 
Height, 534; width, 47 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


VAN LEYDEN, LUCAS 


368. TriumMPH OF Morpecal. Engraving. 
Bartsch, No. 22. Signed in the plate with the monogram,—L. Fair im- 
pression, slight fold through center. 
Height, 814; length, 1134 inches. 


ADRIAEN VAN OSTADE 


Dutch painter and etcher.. Born at Haarlem in. 1610; died there in 1685. 
Studied with Frans Hals and was influenced by Rembrandt. 
“Ostade treats the technique of etching in a curious painter-like manner. He 
avoids the distinct line and the definite contour, he expresses the modelling with 
masses of uneven little strokes and shows his figure, well lighted against a dark 
background.’’—KRISTELLER, in “Kiipferstich und Holzchniit.”’ 


VAN OSTADE, ADRIAEN 
369. THE HAND-ORGAN PLAYER. Etching. 

Bartsch, No. 8. Early State with the light boundary line. Signed in the 
plate,—A. V. Ostade, 1647. VERY FINE Impression, with small margins, 
in perfect condition. 

Height, 43; width, 334 inches. 


From the Henry Broadhurst and Baron Von Lanna Collections. 


VAN OSTADE, ADRIAEN 
370. Les HARANGEURS. Fitching. 
Bartsch, No. to. Signed in the plate,—A. V. Ostade fecit et excud. VERY 
FINE IMPRESSION, on fine old paper, in perfect condition. 
Height, 858; width, 71% inches. 


From the Broadhurst Collection. 


VAN OSTADE, ADRIAEN 
371. THE CoBBLER. Etching. 
Bartsch, No. 27. Third State of six. Signed in the plate,—A. Ostade, 1671. 
Fine InprEssion, slightly stained otherwise in perfect condition. 
Height, 744; width, 534 inches. 


From the Buccleugh Collection. 


VAN OSTADE, ADRIAEN 


372. THE KNIFE GRINDER. Liching. 
Bartsch, No. 36. First State before the drypoint under the left arm. 
Signed in the plate,—A. Ostade. VERY FINE IMPRESSION, on fine old 
paper, with small margins, in perfect condition. 


Height, 338; width, 274 inches. 


McGuire-Bond-REID CODD EG 


Second Session, Thursday Evening, November 16th 


W. WALCOT 


Contemporary English etcher. 


WALCOT, W. 
373. THE Poot oF Lonpon. Drypoint. 
Signed in pencil,—W. Walcot. FINE IMPRESSION, in perfect condition. 
Height, 5; width, 47 inches. 


HERMAN A. WEBSTER 


Contemporary American etcher. Born in 1878. Pupil of Laurens, Paris, 


WEBSTER, HERMAN A. 
374. TOLEDO. Etching. 
Signed in pencil,—Herman A. Webster. VERY FINE IMPRESSION, on 
French paper, in perfect condition. 


Height, 714; width, 5% inches. 


JAMES ABBOTT McNEILL WHISTLER 


Celebrated American painter and etcher. Born in Lowell, Mass., in 1834, died 
in London in 1903. ‘‘All his work is alike—perfect. It has only been produced 
under different circumstances and is an attempt to render different effects or 
situations. Therefore the methods vary, but the results are always the same— 
great. The greatest, most perfect, as a whole, that any etcher has ever accom- 
plished.’’—JOSEPH PENNELL. 


WHISTLER, JAMES ABBOTT McNEILL 
375. ANNIE. Etching. | 
Kennedy, No. 10. Fourth State of five. Signed in the plate,—Whistler. 
VERY FINE IMPRESSION, on India paper, in perfect condition. One of 
the ‘‘Twelve Etchings from Nature.” 
Height, 458; width, 3% inches. 


WHISTLER, JAMES ABBOTT McNEILL 
376. STREET AT SAVERNE. -iching. 
Kennedy, No. 19. Fifth State of five. Signed in the plate,—Whaistler. 
VERY FINE IMPRESSION, on thin Japan paper, in perfect condition.. 
Height, 826; width, 6% inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
377, STREET AT SAVERNE. Fiching. 
Kennedy, No. 19. Fifth State of five. Signed in the plate,—Whistler. 
VERY FINE IMPRESSION, on India paper, in perfect condition. 
Height, 814; width, 614 inches. 


JAMES ABBOTT McNEILL WHISTLER 
BECQUET 
[No. 383] 


McGuirREeE-Bonvd-REID COLD eee 


Second Session, Thursday Evening, November 16th 


WHISTLER, JAMES ABBOTT McNEILL 
378. La VIEILLE AUX LoguEs. Liching. 
Kennedy, No. 21. Third State of three. Signed in the plate,—Whistler. 
FINE IMPRESSION, on French paper, in perfect condition. One of the 
“Twelve Etchings from Nature.” 
Height, 8%; width, 534 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
379. THE RAG GATHERERS. Fiching. 
Kennedy, No. 23. Fifth State of five. Signed in the plate,—Whistler. 
FINE IMPRESSION, on French paper, in perfect condition. 
Height, 61%; width, 3% inches. 


WHISTLER, JAMES ABBOTT McNEIFELL 
380. GREENWICH Park. Etching. 
Kennedy, No. 35. Second State of two. Signed in the plate,—Whistler. 
VeERY FINE IMPRESSION, in brown ink, on French paper, in perfect con- 
dition. 
Height, 5; length, 77 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
381. BILLINGSGATE. Etching. 
Kennedy, No. 47. Signed in the plate,—Wiustler, 1859. FINE IMPRESSION. 
in perfect condition. 
Height, 6; length, 9 inches. Framed. 


WHISTLER, JAMES ABBOTT McNEILL 
382. BiBi VALENTIN. Eiching. : 
Kennedy, No. 50. Second State of two. Signed on the plate,—Whistler. 
1859. BEAUTIFUL IMPRESSION, on India paper, in perfect condition. 
Height, 6; length, 9 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
383. BECQUET. Etching. 
Kennedy, No. 52. Fourth State of four. FINE IMpREssION, on thin Japan 
paper, in perfect condition. One of the Thames Set, a series of Sixteen 
Etchings. 
Height, 10; width, 714 inches. Framed. 


[See Illustration] 


“Seymour Haden, who certainly could be trusted not to overpraise Whistler’s 
work, said of this plate: Rembrandt never did-anything finer.” . 

“Becquet began life as a sculptor, and then became a musician. . . . Whistler 
often saw him and liked him.’’—JOSEPH PENNELL. . 


WHISTLER, JAMES ABBOTT McNEILL 
384. Drover. Ltching. 
Kennedy, No. 55. Signed in the plate,—Whistler. FINE IMPRESSION, on 
Japan paper, in perfect condition. 
Height, 9; width 6 inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


WHISTLER, JAMES ABBOTT McNEILL 
385. THE Force. Drypoint. 
Kennedy, No. 68. Fourth State of four. Signed on the plate,—Whistler. 
oe FINE IMPRESSION, in perfect condition. One of the ‘‘Sixteen Etch- 


9 


ing 
cut 758; length, 123 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


386. CHELSEA WHARF. Liching. 
Kennedy, No. 89. Second State of two. Signed in the plate,—Whistler. 
FINE IMPRESSION, on French paper, in perfect condition. 
Height, 354; length, 714 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


387. THE Doorway. Etching. 
Kennedy, No. 188. Seventh State of seven. VERY FINE IMPRESSION, in 
brown ink, on French paper, in perfect condition. Proof printed by 
F. Goulding, Dec. 4, 1903. There were 26 proofs of this printing and the 
plate destroyed. One of Venice, a Series of T' welve Etchings, 
Height, 1144; width, 778 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


388. EARLY Morninc, BATTERSEA. Lithotint. 
Way, No. 7. Signed on the stone with the Butterfly, FINE IMPRESSION, 
in perfect condition. 


Height, 614; length, 1014 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


389. GareTy STAGE Door. Lithograph. 
Way, No. ro. Signed in pencil with the Butterfly, FINE IMPRESSION, in 
perfect condition. Published in “ Notes,’ 1879. 
Height, 474; length, 754 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


390. VicTtoriIA CLus. Lithograph. 
. Way, No. rr. Signed in pencil with the Butterfly. FINE IMPRESSION, in 
perfect condition... Published in “‘Notes,’’ 1879. 
Height, 8; width, 536 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


391. OLD BATTERSEA BRIDGE. Lithograph. 
Way, No. 12. Signed on the stone with the Buéterfly. VERY FINE Im- 
PRESSION, on India paper, in perfect condition. 
Height, 514; length, 13 inches. 


McGuire-Bonvd-R#tid CoLpRrea. 


Second Session, Thursday Evening, November 16th 


WHISTLER, JAMES ABBOTT -McCcNEILE 
392. READING. Lithograph. 
Way, No. 13. Signed on the stone with the Butterfly. FINE IMPRESSION, 
in perfect condition. Published in “Notes,” 1579. 
Height, 6; width, 5 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
393. READING. Lithograph. 
Way, No. 13. Signed in pencil with the Butterfly. VERY FINE IMPRESSION, 
in perfect condition. Published in “ Notes,” 1870. 
Height, 6; width, 5 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
394. CHURCHYARD. Lithograph. 
Way, No. 17. Signed on the stone with the Butterfly. FINE IMPRESSION, 


in perfect condition, 
Height, 814; width, 634 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
395. CHELSEA SHops. Lithograph. 
Way, No. 20. Signed on the stone with the Butterfly. Good impression, 
in perfect condition. 
Height, 334; length, 75% inches. 


WHISTLER, JAMES ABBOTT McNEILL 
396. Drury LANE RaGs. JLuthograph. 
Way, No. 21. Signed on the stone with the Butterfly. Good impression, 
in perfect condition. 
Height, 578; width, 634 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
397. GANTS DE SUEDE. Lithograph. . 
Way, No. 26. Signed in pencil with the Butterfly. FINE IMPRESSION, in 


perfect condition. 
Height, 814; width, 4 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
398. MARKET PLACE, VITRE. Lithograph. 
Way, No. 40. Signed on the stone with the Butterfly. FINE IMPRESSION, 
in perfect condition. Wauth pencil dedication,—‘F. Goulding, from R. 
Birnie Philip.” 
Height, 774; width, 6% inches. 
From the Goulding Collection. 


WHISTLER, JAMES ABBOTT McNEILL 
399. CONVERSATION UNDER THE STATUE, LUXEMBOURG GARDENS. Lithograph. 
Way, No. 44. Signed on the stone with the Butterfly. VERY FINE IM- 
PRESSION, in perfect condition. 
Height, 634; width, 6 inches. 
From the T. R. Way Collection. 


Under the Management of the American Art Association 
Kindly read the Conditions of Sale Printed in forepart of this catalogue 


WHISTLER, JAMES ABBOTT McNEILL 
400. NupE Mopet ReEciininG. Lithograph. 
Way, No. 47. Signed on the stone with the Butterfly. VERY FINE Iu- 


PRESSION, in perfect condition. 
Height, 414; length, 836 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
got. LirrLE DraPEp FiGuRE LEANING. Lithograph. 
Way, No. 51. Signed on the stone with the Butterfly. VERY FINE IM- 
PRESSION, in perfect condition. 
Height, 7; width, 534 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
402. THE LonG GaLLery, Louvre. Lithograph. j 
Way, No. 52. Signed in pencil,—Whisder, and with the Butterfly. VERY 


FINE EarLY IMPRESSION, in perfect condition. 
Height, 8%; width, 6 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
403. THE TERRACE, LUXEMBOURG. Lithograph. 
Way, No. 55. Signed on the stone with the Butterfly. Good impression, 


in perfect condition. 
Height, 378; length, 8% inches. 


WHISTLER, JAMES ABBOTT McNEILL 
404. ‘LATE Picquer. Lithograph. 
Way, No. 57. Signed on the stone with the Butterfly. Good impression, 


slightly stained. 
Height, 7%; width, 6 inches. 


WHISTLER, JAMES ABBOTT McNEILL 


405. LA BLANCHISSEUSE DE LA PLACE DAUPHINE. Lithograph. 
Way, No. 58. Signed on the stone with the Butterfly. FINE IMPRESSION, 
in perfect condition. 


Height, 9; width, 61% inches. 


WHISTLER, JAMES ABBOTT McNEILL 
406. THe Duet, No. 2. Lithograph. 


? Way, No. 65. Signed on the stone with the Butterfly. VERY FINE In- 
ee PRESSION, in perfect condition. 
6 Height, 8%; width, 7% inches. 
4 From the Gerbeau Collection. 


WHISTLER, JAMES ABBOTT McNEILL 
407. LA RoBE Rouce. Lithograph. 
Way, No. 68. Signed on the stone with the Butterfly. FINE IMPRESSION, 


ie in perfect condition. 
4 Height, 738; width, 6 inches. 
\'¢ 


\! 


McGui1iRe-Bond-REID COD ae. 


Second Session, Thursday Evening, November 16th 


WHISTLER, JAMES ABBOTT McNEILL 


408. LA RoBE Rouce. Lithograph. 
Way, No. 68. Signed on the stone with the Butterfly. FINE IMPRESSION, 
e in perfect condition. 


| O° Height, 738; width, 6 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
409. THE ForGE. PassaGE pu Dracon. Lithograph. 
y.. Way, No.72. Signed in pencil with the Butterfly. VERY FINE IMPRESSION, 
é O: Yj) in perfect condition. 
\&J Height, 858; width, 61% inches. 


A Ww 


i fj 
WUISTLER, JAMES ABBOTT McNEILL 
410. THE Prisst’s Housk, Rouen. Lithograph. 
Way, No. 74. Signed on the stone with the Butterfly. VERY FINE Im- 


5a09 PRESSION, in perfect condition. 
9 4. Height, 914; width, 614 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
A411. THE Doctor. Lithograph. 
“0 Way, No. 78. FINE IMPRESSION, in perfect condition. 
id fe DP Height, 7; width, 5 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
412. FATHER AND Son. Lithograph. 
Way, No. 87. Signed in pencil with the Butterfly. VERY FINE IMPREs- 
SJ SION, on Japan paper, in perfect condition. 
”) ra Height, 8; width, 6 inches. 
is) ¢ 
i WHISTLER, JAMES ABBOTT McNEILL 
413. Savoy PIGEONS; THE SMITH’s YARD, Luthographs. 
Way, Nos. 88 and 118. Signed on the stones with the Butterfly. Good 


Pf impressions, in perfect condition. Published in the “Studio.” 
pf a Height, 714; width, 614 inches. 
U: a Together, 2 pieces. 


WHISTLER, JAMES ABBOTT McNEILL 
A414. THE StronGc Arm. Lithograph. 
Way, No. 89. Signed on the stone with the Butterfly. FINE IMPRESSION, 


_¢ in perfect condition. 
cs Height, 734; width, 614:inches. 


WHISTLER, JAMES ABBOTT McNEILL 
415. THE BrotuHErs. Lithograph. 
Way, No. 91. Signed on the stone with the Butterfly. FINE IMPRESSION, 
AD in perfect condition. With pencil dedication,—To F. Goulding, R. 
OWA Birnie Philips.” ‘ 
Height, 8; width, 5% inches. 
/ } ‘ From the Goulding Collection. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


WHISTLER, JAMES ABBOTT McNEILL 
B10. SuNDAY, LyME ReGis. Lithograph. 


Way, No. g6. Signed on the stone with the Butterfly. VERY FINE IMPRES- 
y, SION, in perfect condition. 


\ ; Height, 734; width, 4% inches. 


WHISTLER, JAMES ABBOTT McNEILL 
417. THE OLD SmiTH’s Story. Lithograph. 


Way, No. 98. Signed in pencil with the Butterfly. VERY FINE EarLy 
ca IMPRESSION, in perfect condition. 


AO : Height, 734; width, 6 inches. 


iol bhR, JAMES ABBOTT McNEILL 
418. THE OLD SmitTH’s Story. Lithograph. 


Way, No. 9S. Signed on the stone with the Butterfly. FINE IMPRESSION, 
/ lower right margin slightly stained. 
| O° Height, 734; width, 6 inches. 


NHISTLER, JAMES ABBOTT McNEILL 


419. THE LonG GALLERY, LouvRE; LITTLE EVELYN. Lithographs. 
Way, Nos. t10 and 52. Signed on the stones with the Butterfly. Good 


impressions, in perfect condition. Published in the ‘“‘Art Journal” and 
otic.” 


Height, 814; width, 6 inches. 
Together, 2 pieces. 


WHISTLER, JAMES ABBOTT McNEILL 
/ 420. COUNT ROBERT DE MontTEsqQuiov. Lithograph. 


‘~° Way, No. 137. Signed on the stone with the Butterfly. VERY FINE Im- 
yp PRESSION, in perfect condition. 


Height, 9%; width, 4% inches. 
From the T. R. Way Collection. 


WHISTLER, JAMES ABBOTT McNEILL 


e 421. UNFINISHED SKETCH OF Lapy HaApEN. Lithograph. 


Way, No. 143. Signed on the stone with the Butterfly. FINE IMPRESSION, 
mounted down solid on a cardboard. 


, Height, 1176; width, 734 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
422. AFTERNOON TEA. Lithograph. 


Way, No. 147. Signed on the stone with the Butterfly. VERY FINE Im- 
PRESSION, on Japan paper, in perfect condition. 
Height, 7%; width, 514 inches. 


WHISTLER, JAMES ABBOTT McNEILL 
423. THE SHOEMAKER. Lithograph. 


Way, No. 151. Signed on the stone with the Butterfly. Good impression, 
in perfect condition. 


_ Height, 614; length, 834 inches. 


a 


MeGuire-Bonvo-REID COLtte 


Second Session, Thursday Evening, November 16th 


EDGAR WILSON 


— Contemporary English etcher. 
/ 


/ WILSON, EDGAR 
424. RAMSGATE; WATERLOO BRIDGE FROM OLD HUNGERFORD BRIDGE; GEORGE 
Court, ADELPHI. Etchings. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. 
| Editions limited to 30 proofs each. 
| Height, 734; width, 6 inches, and smaller. 
| Together, 3 pieces. 


WILSON, EDGAR 
| 425. Waite Horse Inn; BAckwaTER; UNDER LAMBETH BripGE. Etchings. 
Signed Artist’s Proofs. FINE IMPRESSIONS, in perfect condition. Edztions 
limited to 30 proofs each. 
Height, 61; width, 34 inches, and smaller. 
Together, 3 pieces. 


ANDERS ZORN 


Swedish painter and etcher. Born at Mora in Dalecarlia in 1860. ‘‘Butit isin 
his etchings that the art of Anders Zorn is seen in its highest vigor, creativeness 
and sureness of hand, whether these etchings be done directly from nature or are 
transcriptions of his masterly paintings. _ Lines apparently scribbled at random, 
and which might seem to harshly gash the copper-plate, result ina whole, which 
is strong, clear, and vivid, and the etchings present pictures expressing the most 
delicate and fleeting phases of expression and gesture.’ —HENRI MARCEL. 


ZORN, ANDERS 
426. Les Cousins. Etching. 


/ Asplund, No. 7. Third State of three. Signed in pencil,—Zorn. FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
hp” Height, 17; width, 10!4 inches. 


ZORN, ANDERS 


427. RENAN. Litching. 
Asplund, No. 73. Fifth State of five. Signed in pencil,—Zorn. VERY 
FINE ImpREsSION, on Dutch paper, in perfect condition. 
¢ . Height, 914; length, 13% inches. 


| { ,» O° . [See Illustration] 
\O 


| ZORN, ANDERS 
428. AuGuST SAINT GAUDENS I. Eiching. 
Asplund, No. 113. Second State of two. Signed in pencil,—Zorn. VERY 
/ FINE IMPRESSION; on Dutch paper, in perfect condition. 
ge" ¥ Height, 778; width, 5% inches. 


lame 


a 


[LoF ON] 
NVNOY LSANU 


NUOZ 


SUMANV 


as 
= 
| 
eS 
& 

* 

4 


McGui1iRE-Bonvd-REID COLLE GR oa 


Second Session, Thursday Evening, November 16th 


ZORN, ANDERS 


429. GROVER CLEVELAND (Second Plate), Etching, 
2°, Asplund, No. 144. Fourth State of four. Signed in pencil,—Zorn, FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 834; width, 67% inches, 


ZORN, ANDERS 
430. SELF PorTRAIT WITH MopEL. Efching, 
Asplund, No. 149. Sixth State of six. Signed in pencil,—Zorn, VERY 
7. FINE ImpREssion, on Dutch paper, in perfect condition. Very Kare, 
ar ere } only thirty proofs printed. 
Da \Y Height, 958; width, 656 inches. 


ZORN, ANDERS 
431. A SwepisH MAponna. Etching. 


2 Asplund, No. 151. Fourth State of four. Signed in pencil,—Zorn. FINE 
A 13 7 ImpREsSION, on Dutch paper, in perfect condition. 
“~d ) Height, 934; width, 734 inches. 


ZORN, ANDERS 


432. YOUNG GiRL FROM Mora. Fiching. 
) Asplund, No. 170. Third State of four. Signed in pencil,—Zorn, FINE 
fae IMPRESSION, on Dutch paper, in perfect condition. 
/ as Height, 614; width, 438 inches. 


ZORN, ANDERS _ 
433. Betty Nansen. Etching. SAR elgh> 
ourth-State-of-feur 


? Asplund, No. 190. ¥ . Signed in pencil,—Zorn. VERY 
© FINE IMPRESSION, on French paper, in perfect condition. 
)r Height, 978; width, 7 inches. 


ZORN, ANDERS 
434. Kest1, A Mora Giri. Eiching. 


/ Asplund, No. 196. Second State of two. Signed in pencil,—Zorn, VERY 
FINE IMPRESSION, on Dutch paper, in perfect condition. 
xo Height, 614; width, 434 inches. s 


ZORN, ANDERS 
435. DaANsE A Gopsmor. Etching. Feney 
Asplund, No. 197. Second State of two. Signed in pencil,—Zorn. FINE 


eo IMPRESSION, on Dutch paper, in perfect condition. 
yt 0- Height, 1134; width, 734 inches. 


ZORN, ANDERS 

436. SANDHAMN. Liching. | 
; Asplund, No. 202. Only State. Signed in pencil,—Zorn, VERY FINE 
/ IMPRESSION, on French paper, in perfect condition. 


| A Height, 734; width, 57 inches. 


. 


preeniee 


ANDERS ZORN 


DAGMAR 


[No. 


443] 


McGutirREe-BoNnpdD-RE1ID eC Oreo 


Second Session, Thursday Evening, November 16th 


ZORN, ANDERS 

437. Epo. Etching, 
/ Asplund, No. 214. Third State of three. Signed in pencil,—dZorn. 
es BEAUTIFUL IMPRESSION, on Dutch paper, in perfect condition. 

+>“ Height, 7; width, 434 inches. 


ZORN, ANDERS 
438. PRINCE PAUL TROUBETZKOY. Etching. 
Asplund, No. 218. Third State of three. Signed in pencil,—Zorn. VERY 
2? FINE IMPRESSION, on Dutch paper, in perfect condition. 
/ Height, 11%; width, 71% inches. 


ZORN, ANDERS 
439. OXENSTIERNA. Etching. 
Asplund, No. 220. Second State of two. Signed in pencil,—Zorn. VERY 
FINE IMPRESSION, on French paper, in perfect condition. 


: / 
CAs Height, 958; width, 67% inches. 


| ZORN, ANDERS 

| 440. THE NEw Marp. Etching. 

, Asplund, No. 227. Sixth State of six. Signed in pencil,—Zorn, FINE 
| / IMPRESSION, on Dutch paper, in perfect condition. 

/ -— ° Height, 1134; width, 734 inches. 
. Ae g 4 734 


: ZORN, ANDERS 
441. THE PREcIPICE. Etching. 


Asplund, No. 228. Second State of two. Signed in pencil,—Zern. VERY 
FINE IMPRESSION, on Dutch paper, in perfect condition. 


/ 
ee . Height, 914; width, 614 inches. 


ZORN, ANDERS 
442. Mona. Eiching.. - 
Asplund, No. 242. Third State of three. Signed in pencil,—Zorn. VERY 


, © FINE Impression, on Dutch paper, in perfect condition. 
phe - - Height, 934; width, 67% inches. 


ZORN, ANDERS 


443. DaGMaR. Etching. . 
Asplund, No. 250. Only State. Signed in pencil,—Zorn, VERY FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
f Height, 934; width, 7 inches. 
% 


lL [See Illustration]. 
wy, 


ANDERS ZORN 
VALKULLA 


[No. 444] 


McGuire-BondD-RBeBI1dD COD 


Second Session, Thursday Evening, November 16th 


ZORN. ANDERS 
444. VALKULLA. Etching. 
Asplund, No. 251. Second State of two. Signed in pencil,—Zorn. VERY 


FINE IMPRESSION, on Dutch paper, in perfect condition. 
Height, 1134; width, 75 inches. 


[See Illustration] 


ZORN, ANDERS 
445. A LETTER. Liéching. 
Asplund, No. 254. Second State of two. Signed in pencil,—Zorn. VERY 


FINE IMPRESSION, in brown ink, on Dutch paper, in perfect condition. 
Height, 614; width, 4% inches. 


ZORN, ANDERS 
446. SEAWARD SKERRIES. Etching. 
Asplund, No. 256. Only State. Signed in pencil,—Zorn. BEAUTIFUL 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 7; length, 934 inches. 


ZORN, ANDERS 
447. SHALLOW. Etching. 
Asplund, No. 259. Fourth State of four. Signed in pencil,—Zorn. VERY 


FINE IMPRESSION, on Dutch paper, in perfect condition. 
Height, 1158; width, 734 inches. 


ZORN, ANDERS 
448. Evin. Etching. 
Asplund, No. 260. Fifth State of five. Signed in pencil,—Zorn. FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 734; length, 1156 inches. 


ZORN, ANDERS 


449.. Earty. Etching. 
Asplund, No. 262. Only State. Signed in pencil,—Zorn. VERY FINE 
ImpREsSION, on Dutch paper, in perfect condition. 
Height, 934; width, 7 inches. 


ZORN, ANDERS 


450. Fripa. Etching. 
Asplund, No. 263. Only State. Signed in pencil,—Zorn. VERY FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 734; width, 534 inches. : 


A451. CROWN-PRINCESS MARGARET OF SWEDEN. Liching. 
Asplund, No. 264. Third State of three. Signed in pencil,—Zorn. FInit 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 978; width, 7 inches. 


Under the Management of the American Art Assocration 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


ZORN, ANDERS 
452. Guu, I. Etching. 
Asplund, No. 265. Second State of two. Signed in pencil,—Zorn. VERY 


FINE IMPRESSION, on Dutch paper, in perfect condition. 
Height, 524; width, 3% inches. 


ZORN, ANDERS 


A453. Davaro. Etching. } 
Asplund, No. 268. Third State of three. Signed in pencil,—Zorn. 
BEAUTIFUL IMPRESSION, on Dutch paper, in perfect condition. 
Height, 6%; width, 45% inches. 


ZORN, ANDERS 


454. SWAN. Liching. 
Asplund, No. 269. Signed in pencil,—Zorn. VERY FINE IMPRESSION, on 
Dutch paper, in perfect condition. 
Height, 934; width, 734 inches. 


ZORN, ANDERS 


455. SELF-PORTRAIT IN Fur Coat. Liching. 
Aspiund, No. 270. Third State of three. Signed in pencil,—Zorn. VERY 
FINE ImpREsSION, on Dutch paper, in perfect condition. 
Height, 7; width, 434 inches. 


ZORN, ANDERS 


456. Bust. Etching, 
Asplund, No. 272. Third State of three. Signed in pencil,—Zorn. BEAU- 
TIFUL IMPRESSION, on Dutch paper, in perfect condition. 
Height, 934; width, 7 inches. 


ZORN, ANDERS 


457. My Mopets. £tching. 
Asplund, No. 273. Second State of two. Signed in pencil,—Zorn. VERY 
FINE ImprEssION, on Dutch paper, in perfect condition. 
Height, 734; width, 57 inches. 


ZORN, ANDERS 


458. THE Two. Etching. 
Asplund, No. 274. Second State of two. Signed in pencil,—Zorn. VERY 
Fring Impression, on Dutch paper, in perfect condition. 
Height, 778; width, 57% inches. 


-ZORN, ANDERS 


459. Gopsmor CoTtaGE. Eiching. 
Asplund, No. 275. Third State of three. Signed in pencil,—Zorn. VERY 
FINE ImprEssION, on Dutch paper, in perfect condition. 
_ Height, 1114; width, 734 inches. 


McGuirE-Bonndv-REID COUR eo 


Second Session, Thursday Evening, November 16th 


ZORN, ANDERS 
460. ALADER. Liching. 
Asplund, No. 277. Third ‘State of three. Signed in pencil,—Zorn. VERY 
FINE Impression, on Dutch paper, in perfect condition. 
Height, 74; width, 45% inches. 


ZORN, ANDERS 
461. SAppo. Etching. 
Astlund, No. 278. Third State of three. Signed in pencil,—Zorn, FINE 
IMPRESSION, on Dutch paper, in perfect condition, 
Height, 8; width, 7% inches. 


ZORN, ANDERS 
462. THE CaBIn. Liching. 
Asplund, No. 279. Third State of three. Signed in pencil,—Zorn. FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 115; width, 77 inches. 


ZORN, ANDERS 
463. CABIN. Etching. 
Asplund, No. 279. Third State of three. Signed in pencil,—Zorn. 
BEAUTIFUL IMPRESSION, on Dutch paper, in perfect condition. 
Height, 1158; width, 734 inches. 


ZORN, ANDERS 
464. GULL, No. 2. Hiching. 7 | 
Asplund, No. 280. Third State of three. Signed in pencil,—Zorn. VERY 
FINE IMPRESSION, on Dutch paper, in perfect condition. 
Height, 778; width, 57% inches. 


ZORN, ANDERS 
465. VICKE. Etching. ‘ 
Asplund, No. 281. Third State of four. Signed in pencil,—Zorn. BEAU- 
TIFUL IMPRESSION, on Dutch paper, in perfect condition. 
Height, 734; length, 1158 inches. 


ZORN, ANDERS 
466. DALECARLIAN PEASANT. Fiching. 
Asplund, No. 283. Only State. Signed in pencil,—Zorn, FINE IMPREs- 


SION, on Dutch paper, in perfect condition. 
Height, 614; width, 45 inches. 


ZORN, ANDERS 
467. Dat River. Etching. 
Asplund, No. 284. Only State. Signed in pencil,—Zorn. VERY FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 7; width, 4% inches. 


Under the Management of the American Art Association 


Kindly read the Conditions of Sale Printed in forepart of this catalogue 


ZORN, ANDERS 
468. Pitot. LHiching. 
Asplund, No. 285. Only State. Signed in pencil,—Zorn. VERY FINE 


IMPRESSION, on Dutch paper, in perfect condition. 
Height, 678; width, 45 inches. 


ZORN, ANDERS 


469. Ovts Marta. Etching. 
Asplund, No. 286. Second State of two. Signed in pencil,—Zorn. FINE 
IMPRESSION, on Dutch paper, in perfect condition. - 
Height, 714; length, 1114 inches. 


ZORN, ANDERS 


470. AGAINST THE CURRENT. Liching. 
Asplund, No. 288. Second State of two. Signed in pencil,—Zorn. FINE 
IMPRESSION, on Dutch paper, in perfect condition. 
Height, 4%; length, 614 inches. 


MISCELLANEOUS 


BUHOT (FELIX—French etcher, 1847-1898) AND OTHERS 
471. Le Hisov. Etching and Aquatint. Proof signed and stamped. 
Van Dyck. Erasmus Rotterdamus. Etching. 
Durer, ALBERT. The Great Fortune. Engraving. - 
Together, 3 pieces, various sizes, about 12 by 18 inches, and smaller. 
Framed. 


GOLTZIUS (HENDRIK—German, 1558-1616) AND OTHERS 


472. STANDARD BEARER. Fine impression, from the Theobald Collection. 
; DE Bry. Procession of Lansgenets. Good impression, from the Gellatley 
Collection. 
Rarmonp!. Portrait of Raphael. Engravings. 
Together, 3 pieces, various sizes, about 6 by 10% inches, and smaller. 


HEINTZELMAN (ARTHUR—Contemporary American etcher) AND OTHERS 
473. Heap, with Black Drape. Also,— 
HAKELL. The. Fire. 
Esy. The Aeroplane. LFtchings. 
Signed Artist’s Proofs. 
Together, 3 pieces, various sizes, about 4 by 5 inches. 


MEISSONIER (JEAN LOUIS—French Painter, 1815-1891) AND OTHERS 


474. THe Comsat. Etching, by Bracquemond after Meissonier. Proof signed by 
both painter and etcher; also three colored reproductions, representing 
Garden Scenes, after Flameng and Peraux. 
Together, 4 pieces, various sizes, about 17 by 22 inches. Framed. 


MeGuitirRe-Bonnd-REID COLLECT roO. = 


Second Session, Thursday Evening, November 16th 


MORGHEN (RAPHAEL-—Italian engraver, 1758-1833) AND OTHERS 
475. AURORA, early proof, in good condition. 
MULLER. Sistine Madonna, early state, in good condition. Engravings. 
Together, 2 pieces, size about 20 by 35 inches. Framed. 


SMITH (JOHN—English engraver, 1654-1719) AND OTHERS 
476. CHARLES VISCOUNT TOWNSHEND. Mezzotint. Proof, before title, after 
Kneller; 
MANDEL. Titian’s Portrait of Himself. Engraving; 
MorGHEN. Leonardo da Vinci. Engraving. 
Tissot. The First Pair of Breeches. Etching, signed; 
GAILLARD, Portrait of Engravng, signed; 
BonuEvr. Four Animal Subjects. Lithographs, after Bonheur’s paintings. 
Signed. 
Together, 9 pieces, various sizes, about 10 by 12 inches and smaller. 


AMERICAN ART ASSOCIATION, 
MANAGERS 


THOMAS E. KIRBY, 
AUCTIONEER 


INTELLIGENT APPRAISALS 


FOR 


UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 
AND 


CATALOGUES OF PRIVATE COLLECTIONS 


APPRAISALS AND CATALOGUES. Together with the increase in 
its exhibition and sales rooms, the American Art Association will expand its 
service of furnishing appraisements, under expert direction, of art and literary 
property, jewelry and all personal effects, in the settlement of estates, for in- 
heritance tax, insurance and other purposes. It is prepared also to supplement 
this work by making catalogues of the contents of homes or of entire estates, 
such catalogues to be modelled after the finely and intelligently produced 
catalogues of the Association’s own Sales. 


The Association will furnish at request the names of many Trust and Insur- 
ance Companies, Executors, Administrators, Trustees, Attorneys and private 
individuals for whom the Association has made appraisements which have not 
only been entirely satisfactory to them, but have been accepted by the United 
States Revenue Department, State Comptroller and others in interest. 


THE AMERICAN ART ASSOCIATION 


AT ITS NEW 


AMERICAN ART GALLERIES 
THE BLOCK OF MADISON AVENUE, s6rx To 57TH STRERT 


ENTRANCE, jo EAST 571H STREET 
NEW. -Y ORK Cli y= 


(PC) ~ 00°009 


ol 00°Szgz2 

we 
DEOL i 00°S9T 
-o/t 00008 

A 
Dries 00°Su2 
eee 00°00¢ 
DA 00°S2zg 
04 9 00° 00%¢$ 
*I0J PTOS doz qudnog pTd 


*S26T ‘9T ®@ GI *AON <= oes puog 


* IBiLsB( 


*uUlOZ SiQ@pUuy 


*XeHBNS poeopsdsoy, oud 
*IOTTOL Au01g eUL 
*STBUSTS e8usrz4sS 
*IOPVYB}] 942 OF UOTABAO 
"UwTd Aston 

“ATX JO oT[s] 

*“QUSTH ‘Teapeuqseo ATH 
-umBC 


fod oO Sous 


* ory 


-- U0T3ZBTOOBSY Bay UBOTTouy 


ne THE AMERICAN « 


